Bartezzaghi, Stefano. “‘Non parto non resto’: Alighiero Boetti.” In Scrittori giocatori. Torino: Einaudi 2010.

Bartezzaghi, Stefano. “‘Non parto non resto’: Alighiero Boetti.” In Scrittori giocatori. Torino: Einaudi 2010. )| false
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Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London-New York: Verso Books, 2012.

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London-New York: Verso Books, 2012. )| false
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Bolzoni, Lina, La stanza della memoria. Torino: Einaudi, 1995.

Bolzoni, Lina, La stanza della memoria. Torino: Einaudi, 1995. )| false
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Bonito Oliva, Achille ed., Enciclopedia delle arti contemporanee. I portatori del tempo, 3 voll. (I: Il tempo comico; II: Il tempo interiore; III: Il tempo inclinato). Milano: Electa, 2010-2015.

Bonito Oliva, Achille ed., Enciclopedia delle arti contemporanee. I portatori del tempo, 3 voll. (I: Il tempo comico; II: Il tempo interiore; III: Il tempo inclinato). Milano: Electa, 2010-2015. )| false
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Centanni, Monica, “Passione del presente” (2016); another version of this essay is published with the title “Il cambio di paradigma e di percezione del tempo delle grammatiche classiche.” In Il senso ritrovato, edited by E. Laszlo and P. M. Biava. Milano: Springer 2012.

Centanni, Monica, “Passione del presente” (2016); another version of this essay is published with the title “Il cambio di paradigma e di percezione del tempo delle grammatiche classiche.” In Il senso ritrovato, edited by E. Laszlo and P. M. Biava. Milano: Springer 2012. )| false
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Chiodi, Stefano. “Scolpire il tempo. Cronologia, durata, memoria nelle arti contemporanee. In Enciclopedia delle arti contemporanee. I portatori del tempo, vol. II, edited by A. Bonito Oliva, 216-244. Milano: Mondadori Electa, 2013

Chiodi, Stefano. “Scolpire il tempo. Cronologia, durata, memoria nelle arti contemporanee. In Enciclopedia delle arti contemporanee. I portatori del tempo, vol. II, edited by A. Bonito Oliva, 216-244. Milano: Mondadori Electa, 2013 )| false
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Crary, Jonathan. 24/7: Late Capitalism and the Ends of Sleep. London-New York: Verso, 2013.

Crary, Jonathan. 24/7: Late Capitalism and the Ends of Sleep. London-New York: Verso, 2013. )| false
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De Jongh, Karlyn. Time in the Art of Roman Opalka, Tatsuo Miyajima and Rene Rietmeyer. KronoScope. Journal for the Study of Time 10 : 1-2 (2010): 88-117.

De Jongh, Karlyn. Time in the Art of Roman Opalka, Tatsuo Miyajima and Rene Rietmeyer. KronoScope. Journal for the Study of Time 10 : 1-2 (2010): 88-117. )| false
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Fraser, Julius T. Time, the Familiar Stranger. Amherst: University of Massachusetts Press, 1987.

Fraser, Julius T. Time, the Familiar Stranger. Amherst: University of Massachusetts Press, 1987. )| false
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Hartigan, L. Roscoe, R. Vine, R. Lehrman, eds., Joseph Cornell: Shadowplay Eterniday. London: Thames and Hudson 2003.

Hartigan, L. Roscoe, R. Vine, R. Lehrman, eds., Joseph Cornell: Shadowplay Eterniday. London: Thames and Hudson 2003. )| false
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Jedlowsky, Paolo. Un giorno dopo l’altro, La vita quotidiana fra esperienza e routine. Bologna: Il Mulino 2005.

Jedlowsky, Paolo. Un giorno dopo l’altro, La vita quotidiana fra esperienza e routine. Bologna: Il Mulino 2005. )| false
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Johnstone, Stephen, ed. The Everyday. London-Cambridge, MA: Whitechapel/MIT Press, 2008.

Johnstone, Stephen, ed. The Everyday. London-Cambridge, MA: Whitechapel/MIT Press, 2008. )| false
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Lee, Pamela L. Chronophobia. On Time in the Art of the 1960s. 2004; Cambridge, MA, London, UK: MIT Press, 2006.

Lee, Pamela L. Chronophobia. On Time in the Art of the 1960s. 2004; Cambridge, MA, London, UK: MIT Press, 2006. )| false
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Leuzzi, Laura, Overnight. 24 Hours in contemporary art: http://www.arshake.com/en/dalloggi-al-domani-24-ore-nellarte-contemporanea-2/.

Leuzzi, Laura, Overnight. 24 Hours in contemporary art: http://www.arshake.com/en/dalloggi-al-domani-24-ore-nellarte-contemporanea-2/. )| false
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Lippard, Lucy. Six Years: The Dematerialization of Art Object from 1966 to 1972. New York: Praeger 1973.

Lippard, Lucy. Six Years: The Dematerialization of Art Object from 1966 to 1972. New York: Praeger 1973. )| false
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Lombardi, Sandro. Alighiero e Boetti, Dall’oggi al domani. Brescia: Edizioni L’Obliquo, 1988.

Lombardi, Sandro. Alighiero e Boetti, Dall’oggi al domani. Brescia: Edizioni L’Obliquo, 1988. )| false
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Ong, Walter. Orality and Literacy: the Technologizing of the Word. London, New York: Routledge, 1988.

Ong, Walter. Orality and Literacy: the Technologizing of the Word. London, New York: Routledge, 1988. )| false
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Perec, Georges. Tentative d’épuisement d’un lieu parisien. 1975; Paris: Christian Bourgois éditeur, 1982.

Perec, Georges. Tentative d’épuisement d’un lieu parisien. 1975; Paris: Christian Bourgois éditeur, 1982. )| false
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Perniola, Mario. L’avventura situazionista. Storia critica dell’ultima avanguardia del XX secolo. Milano: Mimesis, 2013.

Perniola, Mario. L’avventura situazionista. Storia critica dell’ultima avanguardia del XX secolo. Milano: Mimesis, 2013. )| false
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Rorimer, Anne. “The Date Pantings of On Kawara.” Art Institute of Chicago Museum Studies 17: 2 (1991): 120-137, 179-180.

Rorimer, Anne. “The Date Pantings of On Kawara.” Art Institute of Chicago Museum Studies 17: 2 (1991): 120-137, 179-180. )| false
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Sacks, Oliver. Musicophilia. Tales of Music and the Brain. New York: Knopf, 2007.

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Simic, Charles. Dime-store Alchemy: The Art of Joseph Cornell. New York: The New York Review of Books, 1992.

Simic, Charles. Dime-store Alchemy: The Art of Joseph Cornell. New York: The New York Review of Books, 1992. )| false
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2000. Boetti 1965-1994, Milan: Mazzotta 1996 . Published in conjunction with the exhibition of the same name, shown at Galleria civica d’arte moderna e contemporanea, Turin, 10 May 10-1 September1996; Musée d’art moderne, Villeneuve d’Ascq, France, September 1996-January 1997; Museum Moderner Kunst Stiftung Ludwig, Vienna, February-March 1997.

Tempus fugit. Time flies. Edited by Jan Schall. Kansas City: The Nelson-Atkins Museum of Art, 15 October-31 December 2000.

Le Temps vite. Edited by François Nemer, Sara Renaud, Daniel Soutif, et al. Published in conjunction with the exhibition of the same name, shown at Paris, Musée National d’Art Moderne, Centre Georges Pompidou, 13 January-17 April 2000; Barcellona, Centre de Cultura contemporania, 28 November 2000-25 February 2001; Rome, Palazzo delle Esposizioni, 28 July-23 October.

Dall’oggi al domani. 24 ore nell’arte contemporanea. Edited by Antonella Sbrilli and Maria Grazia Tolomeo. Rome Manfredi Edizione. Published in conjunction with an exhibition of the same name, shown at, Museo Macro, 29 April-2 October 2016.

Every Day: 11th Biennale of Sidney. Edited by Jonathan Watkins. Sydney: Museum of Contemporary Art, 1998. Published in conjunction with the exhibition of the same name, shown at the Museum of Contemporary Art, Sydney, 18 September-8 November 1998.