Volume 20 (1998): Issue 1 (Apr 1998)
in Matatu-
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Tradition et Modernité dans le Théâtre Négro-Africain FrancophonePages: 17–27Publication Date: 26 Apr 1998
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L’émergence d’un théâtre littéraire « populaire » dans l’Ouest-Africain anglophone 1970-1990Pages: 33–48Publication Date: 26 Apr 1998
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Théâtre et aspirations populaires en Afrique: le concert party et la farcePages: 83–94Publication Date: 26 Apr 1998
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Popular Theatre Re-Visited: With an Additional Bibliography on Popular Theatre and Theatre for DevelopmentPages: 95–138Publication Date: 26 Apr 1998
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Le Théâtre camerounais: conflit, champ de bataille, représentation de la « crise » au quotidienPages: 139–154Publication Date: 26 Apr 1998
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Anglophone Theatre in a Francophone City: The Flame Players and Other Troupes in YaoundéPages: 155–168Publication Date: 26 Apr 1998
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Of “Undesirability” The Control of Theatre in South Africa during the Age of ApartheidPages: 183–208Publication Date: 26 Apr 1998
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Syncretic Theatre: The Semiotics of Postcolonial Drama and Wole Soyinka’s Death and the King’s HorsemanPages: 209–228Publication Date: 26 Apr 1998
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Variations on Wole Soyinka’s Death and the King’s HorsemanPages: 229–240Publication Date: 26 Apr 1998
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Soyinka and a Tattered Power: Notes on Wole Soyinka’s Contacts with France, 1955 to 1995Pages: 259–274Publication Date: 26 Apr 1998
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“Days of Miracle and Wonder”: Standard Bank National Arts Festival Grahamstown, South Africa. July 3–13, 1997Pages: 287–292Publication Date: 26 Apr 1998
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