Save

Volume 49 (2017): Issue 1 (Jan 2017)

in Matatu
From Sidi to Ene
The Evolutionary Phases of the African Woman in Nigerian Theatre
Pages: 1–14
Publication Date: 01 Jan 2017
Nigerian Children’s Literature
Harnessing Its Potential for National Integration
Pages: 15–27
Publication Date: 01 Jan 2017
Subverting Nationalism
Historicizing Horrors of the Past in Femi Fatoba’s They Said I Abused the Government and Wole Soyinka’s Samarkand and Other Markets I Have Known
Pages: 28–53
Publication Date: 01 Jan 2017
Myths, Legends, and Contemporary Nigerian Theatre
The Example of Femi Osofisan
Pages: 54–71
Publication Date: 01 Jan 2017
A Fete of Lamentations
Celebrating the Nigerian State through Ademola Dasylva’s Songs of Odamolugbe
Pages: 72–95
Publication Date: 01 Jan 2017
The Poet as Town-Crier
The Example of Niyi Osundare in Village Voices
Pages: 96–108
Publication Date: 01 Jan 2017
The Triple Play of Violence in Ismael R. Mbise’s Blood on Our Land
History, Law, and Development
Pages: 109–144
Publication Date: 01 Jan 2017
“Sex, Pleasures, Dangers, Love and Lies!”
Representing Female Sexualities in Selected Contemporary Poetry by Malawian Women
Pages: 156–181
Publication Date: 01 Jan 2017
The Predicament of Women in a Postmodern World
A Reading of Njabulo Ndebele’s The Cry of Winnie Mandela
Pages: 182–200
Publication Date: 01 Jan 2017
Morning Sir!
Identity Negotiation in Nigerian Army Barracks
Pages: 201–224
Publication Date: 01 Jan 2017
Notes on Contributors
Pages: 237–239
Publication Date: 01 Jan 2017