Volume 49 (2017): Issue 1 (Jan 2017)
in Matatu-
From Sidi to EneThe Evolutionary Phases of the African Woman in Nigerian TheatrePages: 1–14Publication Date: 01 Jan 2017
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Nigerian Children’s LiteratureHarnessing Its Potential for National IntegrationPages: 15–27Publication Date: 01 Jan 2017
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Subverting NationalismHistoricizing Horrors of the Past in Femi Fatoba’s They Said I Abused the Government and Wole Soyinka’s Samarkand and Other Markets I Have KnownPages: 28–53Publication Date: 01 Jan 2017
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Myths, Legends, and Contemporary Nigerian TheatreThe Example of Femi OsofisanPages: 54–71Publication Date: 01 Jan 2017
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A Fete of LamentationsCelebrating the Nigerian State through Ademola Dasylva’s Songs of OdamolugbePages: 72–95Publication Date: 01 Jan 2017
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The Poet as Town-CrierThe Example of Niyi Osundare in Village VoicesPages: 96–108Publication Date: 01 Jan 2017
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The Triple Play of Violence in Ismael R. Mbise’s Blood on Our LandHistory, Law, and DevelopmentPages: 109–144Publication Date: 01 Jan 2017
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Political Topicality and Literary Aesthetics in Wale Okediran’s NovelsPages: 145–155Publication Date: 01 Jan 2017
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“Sex, Pleasures, Dangers, Love and Lies!”Representing Female Sexualities in Selected Contemporary Poetry by Malawian WomenPages: 156–181Publication Date: 01 Jan 2017
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The Predicament of Women in a Postmodern WorldA Reading of Njabulo Ndebele’s The Cry of Winnie MandelaPages: 182–200Publication Date: 01 Jan 2017
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Morning Sir!Identity Negotiation in Nigerian Army BarracksPages: 201–224Publication Date: 01 Jan 2017
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Exploiting Folklore for Culture-Based Science and Research for Medicinal and Economic DevelopmentPages: 225–236Publication Date: 01 Jan 2017
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