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Volume 51 (2019): Issue 1 (Jun 2020): Special Issue: “Power to the People?”—Patronage, Intervention and Transformation in African Performative Arts

in Matatu
Foreword
Pages: 1
Publication Date: 18 Jun 2020
Preface
Pages: 2–3
Publication Date: 18 Jun 2020
Intervention, Patronage and Performance
A Foreword
Pages: 4–10
Publication Date: 18 Jun 2020
Introduction
“Power to the People?”—Patronage, Intervention and Transformation in African Performative Arts
Pages: 11–21
Publication Date: 18 Jun 2020
City as Canvas
Street Art(ists), Walls and the City between State Patronage and Artistic Transformation
Pages: 23–42
Publication Date: 18 Jun 2020
The City and the Comic
Gĩkũyũ Comedies in Nairobi
Pages: 43–63
Publication Date: 18 Jun 2020
He Who Pays the Piper Plays the Tune
The Sponsor’s Imperatives and Messaging in S.A.F.E (K)’s Film Ni Sisi
Pages: 64–78
Publication Date: 18 Jun 2020
Transformative Power in Performance
An Artist’s Account of the Play ‘Tears in the Mirror’
Pages: 79–93
Publication Date: 18 Jun 2020
Boarding a Full Bus
Refracted Connections between the Political and the Poetic in Swahili Popular Poetry from Dar es Salaam
Pages: 94–117
Publication Date: 18 Jun 2020
Patronage or Negotiation?
An Exploration of the Performances of The Boomerang and Pamela’s Journal
Pages: 118–138
Publication Date: 18 Jun 2020
Texts, Voices and Tapes
Mediating Poetry on the Swahili Muslim Coast in the 21st Century
Pages: 139–168
Publication Date: 18 Jun 2020
Sweetness in an Age Caught between Anti-Stoic Regret and Sisyphurian Cynicism
Replaying Dialogue in Role Play and Betrayal in the City
Pages: 193–208
Publication Date: 18 Jun 2020
“Music is Sweet When Your Praises Are Sung”
Pleasure and Power in the ‘Live Band’ Music Performances of Ja-Mnazi Afrika in Eldoret, Kenya
Pages: 209–223
Publication Date: 18 Jun 2020
Notes on Contributors
Pages: 225–228
Publication Date: 18 Jun 2020