Volume 51 (2019): Issue 1 (Jun 2020): Special Issue: “Power to the People?”—Patronage, Intervention and Transformation in African Performative Arts
in Matatu-
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Introduction“Power to the People?”—Patronage, Intervention and Transformation in African Performative ArtsPages: 11–21Publication Date: 18 Jun 2020
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City as CanvasStreet Art(ists), Walls and the City between State Patronage and Artistic TransformationPages: 23–42Publication Date: 18 Jun 2020
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He Who Pays the Piper Plays the TuneThe Sponsor’s Imperatives and Messaging in S.A.F.E (K)’s Film Ni SisiPages: 64–78Publication Date: 18 Jun 2020
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Transformative Power in PerformanceAn Artist’s Account of the Play ‘Tears in the Mirror’Pages: 79–93Publication Date: 18 Jun 2020
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Boarding a Full BusRefracted Connections between the Political and the Poetic in Swahili Popular Poetry from Dar es SalaamPages: 94–117Publication Date: 18 Jun 2020
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Patronage or Negotiation?An Exploration of the Performances of The Boomerang and Pamela’s JournalPages: 118–138Publication Date: 18 Jun 2020
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Texts, Voices and TapesMediating Poetry on the Swahili Muslim Coast in the 21st CenturyPages: 139–168Publication Date: 18 Jun 2020
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Dancing with Empty Water Bottles at L’ Afrique a un incroyable talent, Brought to You by NestléPages: 169–192Publication Date: 18 Jun 2020
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Sweetness in an Age Caught between Anti-Stoic Regret and Sisyphurian CynicismReplaying Dialogue in Role Play and Betrayal in the CityPages: 193–208Publication Date: 18 Jun 2020
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“Music is Sweet When Your Praises Are Sung”Pleasure and Power in the ‘Live Band’ Music Performances of Ja-Mnazi Afrika in Eldoret, KenyaPages: 209–223Publication Date: 18 Jun 2020
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