The Medieval Chronicle
Editors:
and
Cristian Bratu
Cristian Bratu
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Alison Williams Lewin
Alison Williams Lewin
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FORTHCOMING 2025
This journal is a continuation of the book series The Medieval Chronicle. It will start with Volume 17 (2025). For back content, please see the book series.
The Medieval Chronicle promotes the dissemination of both chronicles themselves and a wide range of analyses pertaining to them, from the fourth to the sixteenth centuries. Such analyses include examinations of topics ranging from linguistic usages and trends, the relationships of images to text within a particular chronicle or chronicle tradition, and careful tracing of the evolution of various versions of a single text.
Chronicles occupy a curious, complex middle ground between history and literature; they provide some accounts of the past but often do so in highly selective fashions that reflect both the backgrounds and the interests of their creators. While many societies have produced these rich texts, medieval Europe saw a marked increase in their authorship and origins, in response to marked growths of populations and of literacy, especially in urban centers. Scholars continue to uncover new manuscripts across the European continent; these largely unknown and uncirculated texts are fascinating in their own right, and offer opportunities for research into previously undiscovered connections among various cultures and regions.
The journal welcomes a wide variety of submissions dealing with the many questions chronicles pose for their readers. Reflecting the hybrid nature of the chronicle genre, the journal brings together work by specialists in art history, book history, codicology, history, language and literature, manuscript studies, palaeography, and religious studies, among others. Articles aim to promote understanding of particular chronicles, chronicle traditions, and theories pertaining to our perception of them.
This journal is a continuation of the book series The Medieval Chronicle. It will start with Volume 17 (2025). For back content, please see the book series.
The Medieval Chronicle promotes the dissemination of both chronicles themselves and a wide range of analyses pertaining to them, from the fourth to the sixteenth centuries. Such analyses include examinations of topics ranging from linguistic usages and trends, the relationships of images to text within a particular chronicle or chronicle tradition, and careful tracing of the evolution of various versions of a single text.
Chronicles occupy a curious, complex middle ground between history and literature; they provide some accounts of the past but often do so in highly selective fashions that reflect both the backgrounds and the interests of their creators. While many societies have produced these rich texts, medieval Europe saw a marked increase in their authorship and origins, in response to marked growths of populations and of literacy, especially in urban centers. Scholars continue to uncover new manuscripts across the European continent; these largely unknown and uncirculated texts are fascinating in their own right, and offer opportunities for research into previously undiscovered connections among various cultures and regions.
The journal welcomes a wide variety of submissions dealing with the many questions chronicles pose for their readers. Reflecting the hybrid nature of the chronicle genre, the journal brings together work by specialists in art history, book history, codicology, history, language and literature, manuscript studies, palaeography, and religious studies, among others. Articles aim to promote understanding of particular chronicles, chronicle traditions, and theories pertaining to our perception of them.
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Editors
Cristian Bratu, Baylor University (USA)
Alison Williams Lewin, St Joseph's University (USA)
Review Editor
Pierre Courroux, Université de Pau et des Pays de l’Adour (France)
Editorial Board
Jaume Aurell, University of Navarra (Spain)
Nicholas Coureas, Cyprus Research Centre (Cyprus)
Godfried Croenen, University of Liverpool (UK)
Kelly DeVries, Loyola University Maryland, Baltimore (USA)
Isabel de Barros Dias, Universidade Aberta, Lisbon (Portugal)
Graeme Dunphy, University of Applied Sciences, Würzburg (Germany)
Chris Given-Wilson, University of St Andrews (UK)
Isabelle Guyot-Bachy, Université de Lorraine (France)
Michael Hicks, University of Winchester (UK)
Edward Donald Kennedy, University of North-Carolina at Chapel Hill (USA)
Erik Kooper, Utrecht University (The Netherlands)
Sjoerd Levelt, University of Bristol (UK)
Julia Marvin, University of Notre Dame (USA)
Jean-Marie Moeglin, Sorbonne University (France)
Sarah Peverley, University of Liverpool (UK)
Dorothea Weltecke, Goethe University (Germany)
Jürgen Wolf, University of Marburg (Germany)
Cristian Bratu, Baylor University (USA)
Alison Williams Lewin, St Joseph's University (USA)
Review Editor
Pierre Courroux, Université de Pau et des Pays de l’Adour (France)
Editorial Board
Jaume Aurell, University of Navarra (Spain)
Nicholas Coureas, Cyprus Research Centre (Cyprus)
Godfried Croenen, University of Liverpool (UK)
Kelly DeVries, Loyola University Maryland, Baltimore (USA)
Isabel de Barros Dias, Universidade Aberta, Lisbon (Portugal)
Graeme Dunphy, University of Applied Sciences, Würzburg (Germany)
Chris Given-Wilson, University of St Andrews (UK)
Isabelle Guyot-Bachy, Université de Lorraine (France)
Michael Hicks, University of Winchester (UK)
Edward Donald Kennedy, University of North-Carolina at Chapel Hill (USA)
Erik Kooper, Utrecht University (The Netherlands)
Sjoerd Levelt, University of Bristol (UK)
Julia Marvin, University of Notre Dame (USA)
Jean-Marie Moeglin, Sorbonne University (France)
Sarah Peverley, University of Liverpool (UK)
Dorothea Weltecke, Goethe University (Germany)
Jürgen Wolf, University of Marburg (Germany)
Cristian Bratu, Professor of French at Baylor University, specializes in French medieval literature, historiography, and the concept of authorship spanning from Antiquity to the Early Modern period. His recent scholarly contribution includes the monograph
Je, auteur de ce livre: L’affirmation de soi chez les historiens, de l’Antiquité à la fin du Moyen Age (Brill, 2019). Additionally, he serves as co-editor, alongside Graeme Dunphy, of the Encyclopedia of the Medieval Chronicle Online (Brill).
Alison Williams Lewin, Professor Emerita of History at Saint Joseph's University, Philadelphia, researches medieval and Renaissance Italian chronicles, with particular interests in the Great Schism and various aspects of life stages and old age. She has published most recently an annotated editon and translation of the Cronaca of Bindino da Travale (Centre for Renaissance and Reformation Studies Toronto, 2021).
Alison Williams Lewin, Professor Emerita of History at Saint Joseph's University, Philadelphia, researches medieval and Renaissance Italian chronicles, with particular interests in the Great Schism and various aspects of life stages and old age. She has published most recently an annotated editon and translation of the Cronaca of Bindino da Travale (Centre for Renaissance and Reformation Studies Toronto, 2021).
The Medieval Chronicle
Editors:
and
Cristian Bratu
Cristian Bratu
Search for other papers by Cristian Bratu in
Current site
Google Scholar
PubMed
Search for other papers by Cristian Bratu in
Current site
Google Scholar
PubMed
Alison Williams Lewin
Alison Williams Lewin
Search for other papers by Alison Williams Lewin in
Current site
Google Scholar
PubMed
Search for other papers by Alison Williams Lewin in
Current site
Google Scholar
PubMed
FORTHCOMING 2025
This journal is a continuation of the book series The Medieval Chronicle. It will start with Volume 17 (2025). For back content, please see the book series.
The Medieval Chronicle promotes the dissemination of both chronicles themselves and a wide range of analyses pertaining to them, from the fourth to the sixteenth centuries. Such analyses include examinations of topics ranging from linguistic usages and trends, the relationships of images to text within a particular chronicle or chronicle tradition, and careful tracing of the evolution of various versions of a single text.
Chronicles occupy a curious, complex middle ground between history and literature; they provide some accounts of the past but often do so in highly selective fashions that reflect both the backgrounds and the interests of their creators. While many societies have produced these rich texts, medieval Europe saw a marked increase in their authorship and origins, in response to marked growths of populations and of literacy, especially in urban centers. Scholars continue to uncover new manuscripts across the European continent; these largely unknown and uncirculated texts are fascinating in their own right, and offer opportunities for research into previously undiscovered connections among various cultures and regions.
The journal welcomes a wide variety of submissions dealing with the many questions chronicles pose for their readers. Reflecting the hybrid nature of the chronicle genre, the journal brings together work by specialists in art history, book history, codicology, history, language and literature, manuscript studies, palaeography, and religious studies, among others. Articles aim to promote understanding of particular chronicles, chronicle traditions, and theories pertaining to our perception of them.
This journal is a continuation of the book series The Medieval Chronicle. It will start with Volume 17 (2025). For back content, please see the book series.
The Medieval Chronicle promotes the dissemination of both chronicles themselves and a wide range of analyses pertaining to them, from the fourth to the sixteenth centuries. Such analyses include examinations of topics ranging from linguistic usages and trends, the relationships of images to text within a particular chronicle or chronicle tradition, and careful tracing of the evolution of various versions of a single text.
Chronicles occupy a curious, complex middle ground between history and literature; they provide some accounts of the past but often do so in highly selective fashions that reflect both the backgrounds and the interests of their creators. While many societies have produced these rich texts, medieval Europe saw a marked increase in their authorship and origins, in response to marked growths of populations and of literacy, especially in urban centers. Scholars continue to uncover new manuscripts across the European continent; these largely unknown and uncirculated texts are fascinating in their own right, and offer opportunities for research into previously undiscovered connections among various cultures and regions.
The journal welcomes a wide variety of submissions dealing with the many questions chronicles pose for their readers. Reflecting the hybrid nature of the chronicle genre, the journal brings together work by specialists in art history, book history, codicology, history, language and literature, manuscript studies, palaeography, and religious studies, among others. Articles aim to promote understanding of particular chronicles, chronicle traditions, and theories pertaining to our perception of them.
-
Print Only€189.00$217.00
-
Print + Online€206.00$237.00
-
Online only€172.00$198.00
-
To place an order, please contact customerservices@brill.com
-
Print Only€57.00$66.00
-
Online only€57.00$66.00
-
To place an order, please contact customerservices@brill.com