YouTube influencers, especially from the Kingdom of Saudi Arabia (KSA), command a huge (young) audience and form part of a global pop cultural mainstream representative of the fast-growing digital content industry. These YouTubers are on one hand embedded in a highly professionalized network, consisting of multi-channel networks (MCN s), media companies, TV stations and advertising partners, all operating from Dubai. On the other hand, they feature Dubai’s cityscape and urban spaces in their posts and videos and contribute to urban branding. In this article, I want to evaluate the financially profitable relationship between influencers and Dubai by analyzing footage of the Saudi YouTuber and rapper Dyler (b. 2001). Taking into consideration the political economy of social media in the Gulf as well as the political economy of urban branding in Dubai, the article discusses the political consequences of this relationship on social media, youth culture and urban development in the region.
Purchase
Buy instant access (PDF download and unlimited online access):
Institutional Login
Log in with Open Athens, Shibboleth, or your institutional credentials
Personal login
Log in with your brill.com account
Aliouat, Abdulhani, Abhijat Sharma, Alia Al Theeb, Aminah Taher, Basel Abdulkarim, Khalid Jamal, Muna Bu Samra, Nadin Allahham, Nick Karjalainen and Sahem Al Muheisen (n.d.). Arab Media Outlook 2016–2018: Youth … Content … Digital Media, 5th ed. Dubai: Dubai Press Club and Dubai Media City.
Alsalem, Fatima (2016). Women and Online Political Participation in Kuwait. In Gunter, Barrie, Mokhtar Elareshi and Khalid Al-Jaber (eds.), Social Media in the Arab World: Communication and Public Opinion in the Gulf States, pp. 135–155. London, New York: I.B. Tauris.
Anholt, Simon (2008). Place Branding: Is It Marketing, or Isn’t It? Place Branding and Public Diplomacy 4: 1–6.
ASDA’A BCW (ed.) (2019). A Call for Reform, 11th Annual ASDA’A BCW Arab Youth Survey.
Bromber, Katrin, Birgit Krawietz, Christian Steiner and Steffen Wippel (2014). The Arab(ian) Gulf: Urban Development in the Making. In Steffen Wippel, Katrin Bromber, Christian Steiner and Birgit Krawietz (eds.), Under Construction: Logics of Urbanism in the Gulf Region, pp. 1–16. Abingdon: Ashgate.
Brouwer, Bree (2015). YouTube Now Gets over 400 Hours of Content Uploaded Every Minute. Tubefilter, Accessed 22 April 2021: https://www.tubefilter.com/2015/07/26/youtube-400-hours-content-every-minute/. 26 July 2015.
Choplin, Armelle and Alice Franck (2014). Seeing Dubai in Khartoum and Nouakchott: ‘Gulfication’ on the Margins of the Arab World. In Wippel, Steffen, Katrin Bromber, Christian Steiner and Birgit Krawietz (eds.), Under Construction: Logics of Urbanism in the Gulf Region, pp. 271–284. Abingdon: Ashgate.
Cialdini, Robert B. (2001). Influence: Science and Practice. Boston: Allyn & Bacon.
Commitbiz Management Consultants (n.d.). Dubai Media City (DMC) Free Zone. Accessed 21 July 2020, https://www.commitbiz.com/dubai-media-city-dmc-free-zone.
Cunningham, Stuart and David Craig (2019). Creator Governance in Social Media Entertainment. Social Media + Society (3/4): 1–11, https://doi.org/10.1177/2056305119883428.
Dijck, José van (2013). The Culture of Connectivity: A Critical History of Social Media. Oxford: Oxford University Press.
Done Events (n.d.). About us. Accessed 7 August 2020: https://doneevents.com/about-us/.
Dubai Media City (n.d.). Website. Accessed 28 July 2020: https://dmc.ae/.
Elsheshtawy, Yasser (2008). The Evolving Arab City: Tradition, Modernity and Urban Development. London: Routledge.
Fakih, Marwa Ehsan (2020). The Saudi YouTube Phenomenon. From Anarchism to Institutionalism. In Emanuela Buscemi and Ildiko Kaposi (eds.), Everyday Youth Cultures in the Gulf Peninsula. Changes and Challenges, pp. 35–51. London: Routledge.
Freitag, Ulrike (2014). Foreword. In Steffen Wippel, Katrin Bromber, Christian Steiner and Birgit Krawietz (eds.), Under Construction: Logics of Urbanism in the Gulf Region, pp. xxi–xxii. Abingdon: Ashgate.
Frewer, Manuel, Kim Zietlow and Wolf Keil (eds.) (2017): Saudi-Arabien. Nachhaltige Perspektiven für die Wasser und Abwassersektoren. Berlin: Bundesministerium für Wirtschaft und Energie.
Fuchs, Christian (2019). Soziale Medien und Kritische Theorie: Eine Einführung. Munich: Uni-Taschenbücher.
Gmi_blogger (2020). Saudi Arabia Social Media Statistics 2020. Accessed 5 May 2021: https://www.globalmediainsight.com/blog/saudi-arabia-social-media-statistics/.
Gonzales-Quijano, Yves (2012). Arabités numériques: Le printemps du web arabe. Arles: Sindbad.
Hammond, Andrew (2017). Pop Culture in North Africa and the Middle East. Santa Barbara: ABC-CLIO.
Helmy, Mona (2008). Urban Branding Strategies and the Emerging Arab Cityscape: The Image of the Gulf City. PhD dissertation, Städtebau-Institut Universität Stuttgart.
Katodrytis, George (2014): Dubai. Telegenic Fantasies. In Steffen Wippel, Katrin Bromber, Christian Steiner and Birgit Krawietz (eds.), Under Construction: Logics of Urbanism in the Gulf Region, pp. 161–168. Abingdon: Ashgate.
Kraidy, Marwan M. and Joe F. Khalil (2008). Youth, Media and Culture in the Arab World. In Kerstin Drotner and Sonia Livingstone (eds.). The International Handbook of Children, Media and Culture, pp. 336–350. London: Sage.
Lobato, Ramon (2016). The Cultural Logic of Digital Intermediaries: YouTube Multichannel Networks (MCNs). Convergence: The International Journal of Research into New Media Technologies 22 (4): 348–360.
National Media Council, United Arab Emirates (2018). Advertising Guide: National Media Council. October 2018.
Nymoen, Ole and Wolfgang M. Schmitt (2021). Influencer: Die Ideologie der Werbekörper. Munich: Suhrkamp.
RK, Arjun (2016). YouTube to Open YouTube Space in Dubai Studio City. Communicate Online. Accessed 22 April 2021: https://communicateonline.me/category/industry-insights/post-details/youtube-to-open-youtube-space-in-dubai-studio-city. 9 December 2016.
Salem, Fadi (2017). Social Media and the Internet of Things: Towards Data-Driven Policymaking in the Arab World; Potential, Limits and Concerns, The Arab Social Media Report 2017, 7th ed. Dubai: MBR School of Government.
Salvatore, Armando (2011). Before (and after) the ‘Arab Spring’: From Connectedness to Mobilization in the Public Sphere. Oriente Moderno 91 (1): 5–12.
Scherle, Nicolai and Mikael Jonasson (2014). ‘1,001 Places to See Before You Die’: Constructing Oriental Holiday Worlds in European Guide Books—The Example of Dubai. In Steffen Wippel, Katrin Bromber, Christian Steiner and Birgit Krawietz (eds.), Under Construction: Logics of Urbanism in the Gulf Region, pp. 147–160. Abingdon: Ashgate.
Schons, Donna (2018). Influencer in der Modeindustrie: Leben für die Reichweite. Die Tageszeitung, 5 March 2018. Accessed 22 April 2021, https://taz.de/Influencer-in-der-Modeindustrie/!5486282/.
Sommerlad, Felix (2014). Promise and Reality in Dubai’s Architectural Design. In Steffen Wippel, Katrin Bromber, Christian Steiner and Birgit Krawietz (eds.), Under Construction: Logics of Urbanism in the Gulf Region, pp. 91–100. Abingdon: Ashgate
Vonderau, Patrick (2016). The Video Bubble. Multi-Channel Networks and the Transformation of YouTube. Convergence: The International Journal of Research into New Media Technologies, 22 (4), pp. 361–375.
Wheeler, Deborah L. (2017). Digital Resistance in the Middle East: New Media Activism in Everyday Life. Edinburgh: Edinburgh University Press.
Wippel, Steffen, Katrin Bromber, Christian Steiner and Birgit Krawietz (eds.). Under Construction: Logics of Urbanism in the Gulf Region. Abingdon: Ashgate.
YouTube Creators (n.d.). YouTube Creators. Youtube. Accessed 29 April 2020, https://www.youtube.com/intl/en/creators/.
Zahren, Sabrina (2021). Saudische YouTube-Influencer und globaler Konsens. In Lale Behzadi, Peter Konerding and Felix Wiedemann (eds.), Popular Culture in Modern Arabic Art, Music and Literature, pp. 187–229. Bamberg: University of Bamberg Press.
All Time | Past 365 days | Past 30 Days | |
---|---|---|---|
Abstract Views | 1292 | 386 | 33 |
Full Text Views | 119 | 29 | 5 |
PDF Views & Downloads | 266 | 62 | 10 |
YouTube influencers, especially from the Kingdom of Saudi Arabia (KSA), command a huge (young) audience and form part of a global pop cultural mainstream representative of the fast-growing digital content industry. These YouTubers are on one hand embedded in a highly professionalized network, consisting of multi-channel networks (MCN s), media companies, TV stations and advertising partners, all operating from Dubai. On the other hand, they feature Dubai’s cityscape and urban spaces in their posts and videos and contribute to urban branding. In this article, I want to evaluate the financially profitable relationship between influencers and Dubai by analyzing footage of the Saudi YouTuber and rapper Dyler (b. 2001). Taking into consideration the political economy of social media in the Gulf as well as the political economy of urban branding in Dubai, the article discusses the political consequences of this relationship on social media, youth culture and urban development in the region.
All Time | Past 365 days | Past 30 Days | |
---|---|---|---|
Abstract Views | 1292 | 386 | 33 |
Full Text Views | 119 | 29 | 5 |
PDF Views & Downloads | 266 | 62 | 10 |