Hagel, S. 2009. Ancient Greek Music. A New Technical History. Cambridge, Cambridge University Press. xx, 484 pp. Pr. £65.00 (hb). ISBN 9780521517645.

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  • 1 Conservatorio Profesional de Gijón, Luis Moya Blanco 261, 33203 Gijón, Spain

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  • 1)

    Cf. also Chailley, J. 1960. L’imbroglio des modes (Paris), 20.

  • 3)

    Cf. Barbour, J.M. 1937. Just Intonation, Bulletin of the American Musicological Society 2, 11-2; and Barbour, J.M. 1938. Just Intonation Confuted, Music & Letters 19, 48-60.

  • 7)

    Cf. Riley, M.T. 1995. Ptolemy’s Use of His Predecessors’ Data, TAPhA 125, 221-50; H. himself says (p. 205 n. 180) “they [i.e. Ptolemy’s tetrachordal divisions] may or may not reflect musical reality”.

  • 8)

    Cf. Kopiez, R. 2003. Intonation of Harmonic Intervals: Adaptability of Expert Musicians to Equal Temperament and Just Intonation, Music Perception 20, 383-410.

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