In contrast to previous scholarship, this paper argues that Plautus’ use of a cook as a dream interpreter in Curculio should not necessarily be viewed as unsuccessful. Regardless of any putative Greek influence, it is evident that the Cook goes well beyond the bounds of his strictly defined stock role; he is artfully incorporated into the theme of sickness and cure traced out in the first half of the play, given that other characters also participate as actual or metaphorical patients and doctors. Such a theme fits a plot which calls for a sanctuary of Aesculapius in the center of the stage.
Frangoulidis, S.A.2013. Transformations of Paraclausithyron in Plautus’ Curculio, in: Papanghelis, T.D., Harrison, S.J., Frangoulidis, S. (eds.) Generic Interfaces in Latin Literature. Encounters, Interactions and Transformations (Berlin/Boston), 267-281
Slater, N.W.2000. The Market in Sooth. Supernatural Discourse in Plautus, in: Stärk, E., Vogt-Spira, G. (eds.) Dramatische Wäldchen. Festschrift für Eckard Lefèvre zum 65. Geburtstag (Hildesheim/New York), 345-363