Encolpius’ κατάβασις, Trimalchio’s Dog, and Vergil’s Aeneid (Petr. Sat. 72.7-10)

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Mnemosyne

A Journal of Classical Studies

References

Baldwin, B. (1995). Drunk ’n Dog. PSN 25, pp. 16-17.

Bodel, J. (1994). Trimalchio’s Underworld. In: J. Tatum, ed., The Search for the Ancient Novel, Baltimore, pp. 237-259.

Chandler, C. (2005). First Impressions. Eschatological Allusion in Petronius, Satyrica 28-29. In: C. Deroux, ed., Studies in Latin Literature and Roman History 12, Brussels, pp. 324-333.

Conte, G.B. (1996). The Hidden Author. An Interpretation of Petronius’ Satyricon. Berkeley/Los Angeles/London.

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Courtney, E. (2001). A Companion to Petronius. Oxford.

Gianotti, G.F. (2013). La Cena di Trimalchione. Dal Satyricon di Petronio. Rome.

Hendry, M. (1994). Trimalchio’s Canis Catenarius. A Simple Solution? PSN 24, pp. 23-24.

Hendry, M. (1996). The Wrong End of the Stick, or caveat lector. A Reply to Barry Baldwin. PSN 26, pp. 11-13.

Leary, T.J. (2000). Getting out of Hell. Petronius 72.5ff. CQ 50, pp. 313-314.

Müller, K. (2003). Petronivs, Satyricon Reliqviae. Munich/Leipzig.

Panayotakis, C. (1995). Theatrum arbitri. Theatrical Elements in the Satyrica of Petronius. Leiden/New York/Cologne.

Rimell, V. (2002). Petronius and the Anatomy of Fiction. Cambridge.

Rimell, V. (2007). Petronius’ Lessons in Learning—the Hard Way. In: J. König and T. Whitmarsh, eds., Ordering Knowledge in the Roman Empire, Cambridge, pp. 108-132.

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Schwazer, O. (2016). Nihil sine ratione facio. Merkur in Trimalchios Wandmalereien (Petr. Sat. 29.3-6). MH 73, pp. 179-191.

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