Craftsmen Working for Kangxi: the “Invention of Curious Things” by the Jesuits Gabriel de Magalhães (1609–1677) and Tomás Pereira (1646–1708)
In: Ming Qing YanjiuSearch for other papers by Maria João Pereira Coutinho in
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Abstract
This essay focuses on the strategy followed by two Jesuits from the Portuguese Padroado, Gabriel de Magalhães and Tomás Pereira, to remain at the court in Beijing at a time when the effects of ethnic and cultural clashes between Han and Manchus were felt, as were those of the natural disasters that devastated China and battered its economy. While the first excelled as a locksmith, the second, who called himself a craftsman, had the ability to draw and could build musical instruments, write music and teach to play instruments. Both managed to create works reconciling art and mechanics, which greatly impressed the Kangxi Emperor. These objects were visually appealing, but they also showed the knowledge these Jesuits active in Beijing had about some European treatises on art and mechanics, namely in the area of hydraulics. By adapting European forms and techniques to Chinese materials both men met Kangxi’s plan of a dynasty open to other cultures, while assuring the “peaceful coexistence” of Jesuits in China, in an age marked by climate change and ethnic clashes.
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Craftsmen Working for Kangxi: the “Invention of Curious Things” by the Jesuits Gabriel de Magalhães (1609–1677) and Tomás Pereira (1646–1708)
In: Ming Qing YanjiuSearch for other papers by Maria João Pereira Coutinho in
Current site
Google Scholar
PubMed
Abstract
This essay focuses on the strategy followed by two Jesuits from the Portuguese Padroado, Gabriel de Magalhães and Tomás Pereira, to remain at the court in Beijing at a time when the effects of ethnic and cultural clashes between Han and Manchus were felt, as were those of the natural disasters that devastated China and battered its economy. While the first excelled as a locksmith, the second, who called himself a craftsman, had the ability to draw and could build musical instruments, write music and teach to play instruments. Both managed to create works reconciling art and mechanics, which greatly impressed the Kangxi Emperor. These objects were visually appealing, but they also showed the knowledge these Jesuits active in Beijing had about some European treatises on art and mechanics, namely in the area of hydraulics. By adapting European forms and techniques to Chinese materials both men met Kangxi’s plan of a dynasty open to other cultures, while assuring the “peaceful coexistence” of Jesuits in China, in an age marked by climate change and ethnic clashes.
| All Time | Past Year | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 298 | 242 | 28 |
| Full Text Views | 11 | 10 | 0 |
| PDF Views & Downloads | 38 | 34 | 0 |