Purchase
Buy instant access (PDF download and unlimited online access):
Institutional Login
Log in with Open Athens, Shibboleth, or your institutional credentials
Personal login
Log in with your brill.com account
Bien N., ten Oever S., Goebel R., Sack A. T. (2012). The sound of size: crossmodal binding in pitch-size synesthesia: a combined TMS, EEG, and psychophysics study, NeuroImage 59, 663–672.
Bremner A., Caparos S., Davidoff J., de Fockert J., Linnell K., Spence C. (2013). Bouba and Kiki in Namibia? A remote culture make similar shape-sound matches, but different shape-taste matches to Westerners, Cognition 126, 165–172.
Carnevale M. J., Harris L. R. (2016). Which direction is up for a high pitch? Multisens. Res. 29, 113–132.
Cytowic R. E. (1993). The Man Who Tasted Shapes. G. P. Putnam’s Sons, New York, NY, USA.
Deroy O., Spence C. (2013a). Why we are not all synesthetes (not even weakly so), Psychon. Bull. Rev. 20, 643–664.
Deroy O., Spence C. (2013b). Are we all born synaesthetic? Examining the neonatal synaesthesia hypothesis, Neurosci. Biobehav. Rev. 37, 1240–1253.
Deroy O. & Spence C. (in press). Lessons of synaesthesia for consciousness: learning from the exception, rather than the general, Neuropsychologia. DOI:10.1016/j.neuropsychologia.2015.08.005.
Deroy O., Spence C. (2016). Crossmodal correspondences: four challenges, Multisens. Res. 29, 28–48.
Deroy O., Crisinel A.-S., Spence C. (2013). Crossmodal correspondences between odors and contingent features: odors, musical notes, and geometrical shapes, Psychon. Bull Rev. 20, 878–896.
Deroy O., Fasiello I., Hayward V. & Auvray M. (in press). Differentiated audio-tactile correspondences in sighted and blind individuals, J. Exp. Psychol. Hum. Percept. Perform.
Dingemanse M. (2012). Advances in the cross-linguistic study of ideophones, Lang. Linguist. Compass 6, 654–672.
Etzi R., Spence C., Zampini M., Gallace A. (2016). When sandpaper is ‘kiki’ and satin is ‘bouba’: an exploration of the associations between words, emotional states, and the tactile attributes of everyday materials, Multisens. Res. 29, 133–155.
Evans K. K., Treisman A. (2010). Natural cross-modal mappings between visual and auditory features, J. Vis. 10, 6. DOI:10.1167/10.1.6.
Jraissati Y., Slobodenyuk N., Kanso A., Ghanem L., Elhajj I. (2016). Haptic and tactile adjectives are consistently mapped onto color space, Multisens. Res. 29, 253–278.
Knöferle K. M., Spence C. (2012). Crossmodal correspondences between sounds and tastes, Psychon. Bull. Rev. 19, 992–1006.
Knöferle K. M., Woods A., Käppler F., Spence C. (2015). That sounds sweet: using crossmodal correspondences to communicate gustatory attributes, Psychol. Marketing 32, 107–120.
Köhler W. (1929). Gestalt Psychology. Liveright Publication, New York, NY, USA.
Köhler W. (1947). Gestalt Psychology: an Introduction to New Concepts in Modern Psychology. Liveright Publication, New York, NY, USA.
Lewkowicz D. J., Turkewitz G. (1980). Cross-modal equivalence in early infancy: auditory–visual intensity matching, Dev. Psychol. 16, 597–607.
Ludwig V. U., Adachi I., Matzuzawa T. (2011). Visuoauditory mappings between high luminance and high pitch are shared by chimpanzees (Pan troglodytes) and humans, Proc. Natl Acad. Sci. USA 108, 20661–20665.
Marks L. (1978). The Unity of the Senses: Interrelations Among the Modalities. Academic Press, New York, NY, USA.
Marks L. E. (1996). On perceptual metaphors, Metaphor. Symb. Act. 11, 39–66.
Marks L. E. (2004). Cross-modal interactions in speeded classification, in: Handbook of Multisensory Processes, Calvert G. A., Spence C., Stein B. E. (Eds), pp. 85–105. MIT Press, Cambridge, MA, USA.
Marks L. E., Hammeal R. J., Bornstein M. H. (1987). Perceiving similarity and comprehending metaphor, Monogr. Soc. Res. Child Dev. 52(215), 1–102.
Nava E., Grassi M., Turati C. (2016). Audio-visual, visuo-tactile and audio-tactile correspondences in preschoolers, Multisens. Res. 29, 93–111.
Osgood C. E., Suci G. J., Tannenbaum P. H. (1957). The Measurement of Meaning. University of Illinois Press, Urbana, IL, USA.
Palmer S. E., Schloss K. B., Xu Z., Prado-León L. R. (2013). Music-color associations are mediated by emotion, Proc. Natl Acad. Sci. USA 110, 8836–8841.
Palmer S. E., Langlois T. S., Schloss K. B. (2016). Music-to-color associations of single-line piano melodies in non-synesthetes, Multisens. Res. 29, 157–193.
Parise C. V. (2016). Crossmodal correspondences: standing issues and experimental guidelines, Multisens. Res. 29, 7–28.
Parise C. V., Spence C. (2013). Audiovisual cross-modal correspondences in the general population, in: Oxford Handbook of Synaesthesia, Simner J., Hubbard E. M. (Eds), pp. 790–815. Oxford University Press, Oxford, UK.
Parise C. V., Knorre K., Ernst M. O. (2014). Natural auditory scene statistics shapes human spatial hearing, Proc. Natl Acad. Sci. USA 111, 6104–6108.
Pratt C. C. (1930). The spatial character of high and low tones, J. Exp. Psychol. 13, 278–285.
Ratcliffe V. F., Taylor A. M., Reby D. (2016). Cross-modal correspondences in non-human mammal communication, Multisens. Res. 29, 49–91.
Sadaghiani S., Maier J. X., Noppeney U. (2009). Natural, metaphoric, and linguistic auditory direction signals have distinct influences on visual motion processing, J. Neurosci. 29, 6490–6499.
Sapir E. (1929). A study in phonetic symbolism, J. Exp. Psychol. 12, 225–239.
Simner J., Hubbard E. M. (Eds) (2013). The Oxford Handbook of Synesthesia. Oxford University Press, Oxford, UK.
Snider J. G., Osgood C. E. (1969). Semantic Differential Technique: a Sourcebook. Aldine Publishing, Chicago, IL, USA.
Spence C. (2011). Crossmodal correspondences: a tutorial review, Atten. Percept. Psychophys. 73, 1–25.
Spence C. (2012). Managing sensory expectations concerning products and brands: capitalizing on the potential of sound and shape symbolism, J. Consum. Psychol. 22, 37–54.
Spence C. (2014). Assessing the influence of shape and sound symbolism on the consumer’s response to chocolate, New Food 17, 59–62.
Spence C., Parise C. V. (2012). The cognitive neuroscience of crossmodal correspondences, i-Perception 3, 410–412.
Stekelenburg J. J. & Keetels M. (in press). The effect of synesthetic associations between the visual and auditory modalities on the Colavita effect, Exp. Brain Res. DOI:10.1007/s00221-015-4363-0.
Stumpf K. (1883). Tonpsychologie [Psychology of Tones]. S. Hirzel, Leipzig, Germany.
Van Leeuwen T. M., Dingemanse M., Todil N., Agameya A., Majid A. (2016). Non-random associations of graphemes with colors in Arabic, Multisens. Res. 29, 223–252.
Velasco C., Woods A. T., Liu J., Spence C. (2016). Assessing the role of taste intensity and hedonics in taste-shape correspondences, Multisens. Res. 29, 209–221.
Wagner K., Dobkins K. R. (2011). Synaesthetic associations decrease during infancy, Psychol. Sci. 22, 1067–1072.
Wagner S., Winner E., Cicchetti D., Gardner H. (1981). “Metaphorical” mapping in human infants, Child Dev. 52, 728–731.
Walker P., Bremner J. G., Mason U., Spring J., Mattock K., Slater A., Johnson S. P. (2010). Preverbal infants’ sensitivity to synesthetic cross-modality correspondences, Psychol. Sci. 21, 21–25.
Walker P., Bremner J. G., Mason U., Spring J., Mattock K., Slater A., Johnson S. P. (2014). Preverbal infants are sensitive to cross-sensory correspondences: much ado about the null results of Lewkowicz and Minar (2014), Psychol. Sci. 25, 835–836.
Wang Q. (J.), Spence C. (2016). ‘Striking a sour note’: assessing the influence of consonant and dissonant music on taste perception, Multisens. Res. 29, 195–208.
Woods A. T., Spence C., Butcher N., Deroy O. (2013). Fast lemons and sour boulders: testing the semantic hypothesis of crossmodal correspondences using an internet-based testing methodology, i-Perception 4, 365–369.
All Time | Past 365 days | Past 30 Days | |
---|---|---|---|
Abstract Views | 897 | 115 | 14 |
Full Text Views | 245 | 5 | 0 |
PDF Views & Downloads | 116 | 11 | 0 |
All Time | Past 365 days | Past 30 Days | |
---|---|---|---|
Abstract Views | 897 | 115 | 14 |
Full Text Views | 245 | 5 | 0 |
PDF Views & Downloads | 116 | 11 | 0 |