Emotional and Semantic Associations Between Cinematographic Aesthetics and Haptic Perception

in Multisensory Research
Restricted Access
Get Access to Full Text
Rent on DeepDyve

Have an Access Token?



Enter your access token to activate and access content online.

Please login and go to your personal user account to enter your access token.



Help

Have Institutional Access?



Access content through your institution. Any other coaching guidance?



Connect

This study investigates systematic links between haptic perception and multimodal cinema perception. It differs from previous research conducted on cross-modal associations as it focuses on a complex intermodal stimulus, close to one people experience in reality: cinema. Participants chose materials that are most/least consistent with three-minute samples of films with elements of beauty and ugliness. We found that specific materials are associated with certain films significantly different from chance. Silk was associated with films including elements of beauty, while sandpaper was associated with films including elements of ugliness. To investigate the nature of this phenomenon, we tested the mediation effect of emotional/semantic representations on cinema–haptic associations. We found that affective representations at least partly explain the cross-modal associations between films and materials.

Emotional and Semantic Associations Between Cinematographic Aesthetics and Haptic Perception

in Multisensory Research

Sections

References

AfraK. (2015). ‘Vertical montage’ and synaesthesiaMusic Sound Mov Image 93361.

AlbertazziL.CanalL.MiccioloR. (2015). Cross-modal associations between materic painting and classical Spanish musicFront. Psychol. 6464. DOI:10.3389/fpsyg.2015.00424.

AntunesL. R. (2012). The vestibular in film: orientation and balance in Gus Van Sant’s cinema of walkingEssays Philos. 13522549.

ArtemievaE. I. (2007). Psikhologiia Subieektivnoi Semantiki [The Psychology of Subjective Semantics]. LKIMoscow, Russia.

AstrinakiE. (2012). Enhancing presence: sensory integration and proprioception in cinemaAm. Soc. Aesthet. Grad. E-J. 4(2) 19.

BeauchampM. S.RoT. (2008). Neural substrates of sound-touch synesthesia after a thalamic lesionJ. Neurosci. 281369613702.

BosanquetB. (1914). Three Lectures on Aesthetic. Bobbs MerrillIndianapolis, IN, USA.

DayS. (2005). Some demographic and socio-cultural aspects of synaesthesia in: Synaesthesia: Perspectives From Cognitive NeuroscienceRobertsonL. C.SagivN. (Eds) pp.  1133. Oxford University PressNew York, NY, USA.

EisensteinS. (1940). Vertikalnyi montazh [Vertical montage] in: Psikhologicheskie Voprosy Iskusstva pp.  175184. SmyslMoscow, USSR.

EtziR.SpenceC.ZampiniM.GallaceA. (2016). When sandpaper is ‘Kiki’ and satin is ‘Bouba’: an exploration of the associations between words, emotional states, and the tactile attributes of everyday materialsMultisens. Res. 29133155.

FlournoyT. (1893). Des Phenomenes de Synopsie (Audition Coloree): Photismes Schemes Visuels Personnifications. F. AlcanParis, France.

GuerdouxE.TrouilletR.BrouilletD. (2014). Olfactory–visual congruence effects stable across ages: yellow is warmer when it is pleasantly lemonyAtten. Percept. Psychophys. 7612801286.

HassonU.LandesmanO.KnappmeyerB.VallinesI.RubinN.HeegerD. J. (2008). Neurocinematics: the neuroscience of filmProjections 2126.

HollinsM.FaldowskiR.RaoS.YoungF. (1993). Perceptual dimensions of tactile surface texture: a multidimensional scaling analysisPercept. Psychophys. 54697705.

KantI. (2008). Critique of Judgement [1790]. Oxford University PressOxford, UK and New York, NY, USA.

LevitanC. A.RenJ.WoodsA. T.BoesveldtS.ChanJ. S.McKenzieK. J.DodsonM.LevinJ. A.LeongC. X.Van den BoschJ. J. (2014). Cross-cultural color–odor associationsPLoS One 9e101651. DOI:10.1371/journal.pone.0101651.

LevitanC. A.CharneyS. A.SchlossK. B.PalmerS. E. (2015). The smell of jazz: Crossmodal correspondences between music odor and emotion in: Proceedings of the 37th Annual Meeting of the Cognitive Science Society pp. 1326–1331. Pasadena CA USA.

LudwigV. U.SimnerJ. (2013). What colour does that feel? Tactile–visual mapping and the development of cross-modalityCortex 4910891099.

MarinettiF. T. (1989). The Futurist Cookbook [1932]. Penguin BooksLondon, UK.

MartinoG.MarksL. E. (1999). Perceptual and linguistic interactions in speeded classification: tests of the semantic coding hypothesisPerception 28903923.

OsgoodC. E.SuciG. J.TannenbaumP. H. (1957). The Measurement of Meaning. University of Illinois PressUrbana, IL, USA.

OvervlietK. E.Soto-FaracoS. (2011). I can’t believe this isn’t wood! An investigation in the perception of naturalnessActa Psychol. 13695111.

OvervlietK. E.KaranaE.Soto-FaracoS. (2016). Perception of naturalness in textilesMater. Des. 9011921199.

PalmerS. E.SchlossK. B.XuZ.Prado-LeónL. R. (2013). Music–color associations are mediated by emotionProc. Natl Acad. Sci. USA 11088368841.

PicardD.DacremontC.ValentinD.GiboreauA. (2003). Perceptual dimensions of tactile texturesActa Psychol. 114165184.

RozinP. (2005). The meaning of ‘natural’ process more important than contentPsychol. Sci. 16652658.

SchiffersteinH. N. J.TanudjajaI. (2004). Visualizing fragrances through colors: the mediating role of emotionsPerception 3312491266.

SimnerJ.LudwigV. U. (2012). The color of touch: a case of tactile-visual synaesthesiaNeurocase 18167180.

SlobodenyukN.JraissatiY.KansoA.GhanemL.ElhajjI. (2015). Cross-modal associations between color and hapticsAtten. Percept. Psychophys. 7713791395.

SniderJ. G.OsgoodC. E. (Eds) (1969). Semantic Differential Technique: a Sourcebook. AldineTransactionChicago, IL, USA.

SpenceC. (2011). Crossmodal correspondences: a tutorial reviewAtten. Percept. Psychophys. 73971995.

StevenM. S.HansenP. C.BlakemoreC. (2006). Activation of color-selective areas of the visual cortex in a blind synestheteCortex 42304308.

VelascoC.WoodsA. T.MarksL. E.CheokA. D.SpenceC. (2016). The semantic basis of taste–shape associationsPeer J. 4e1644. DOI:10.7717/peerj.1644.

WenzelC. (1999). Kant finds nothing ugly? Br. J. Aesthet. 39416422.

YoshidaM. (1968). Dimensions of tactual impressions (1)Jpn. Psychol. Res. 10123137.

Index Card

Content Metrics

Content Metrics

All Time Past Year Past 30 Days
Abstract Views 18 18 10
Full Text Views 19 19 16
PDF Downloads 3 3 2
EPUB Downloads 0 0 0