Grand Designs: Mutio Oddi in Exile from Urbino

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Nuncius

Journal of the Material and Visual History of Science (Formerly: Annali dell'Istituto e Museo di storia della scienza di Firenze)

References

2

David Summers, Vision, Reflection, and Desire in Western Painting (Chapel Hill, NC: University of North Carolina Press, 2007); Samuel Y. Edgerton, The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe (Ithaca, NY: Cornell University Press, 2009); Hans Belting, Florence and Baghdad: Renaissance Art and Arab Science, translated by Deborah Lucas Schneider (Cambridge, MA: Belknap Press of Harvard University Press, 2011); Mark A. Peterson, Galileo’s Muse: Renaissance Mathematics and the Arts (Cambridge, MA: Harvard University Press, 2011).

4

Janus Nicius Erythraeus, Pinacotheca Imaginum Illustrium (Cologne: Jodocus Kalcovius, 1645), p. 174.

5

Mutio Oddi, Fabrica et uso del compasso polimetro (Milan: Francesco Fobella, 1633), p. 4.

8

Mutio Oddi, Dello squadro (Milan: Bartolomeo Fobella, 1625), pp. 108-126, 165-169.

10

Hieronymus Sirtorius, Telescopium sive Ars perficiendi novum illud galilaei visorium instrumentum (Frankfurt: Paul Jacob, 1618).

14

Fidele Daniele S.J., Trattato della Divina Providenza (Milan: Giovanni Battista Bidelli, 1615), pp. 151-152.

15

Barbero, Bucciantini, Camerota, “Uno scritto inedito” (cit. note 12), p. 324; Roger Ariew, “Galileo’s Lunar Observations in the Context of Medieval Lunar Theory,” Studies in the History and Philosophy of Science, 1984, 15: 213-226.

16

Francesco Andreini, Le Bravure del Capitano Spavento (Venice: Giacomo Antonio Somasco, 1609), p. 92.

20

 See Elisabetta Ulivi, “Un tardo seguace di Viète: Pietro Paolo Caravaggio senior,” Bollettino di storia delle scienze matematiche, 1989, 9/1: 91-137, pp. 98-105.

22

Philip Sohm, “Gendered Style in Italian Art Criticism from Michelangelo to Malvasia,” Renaissance Quarterly, 1995, 48/4: 759-808, pp. 780-797.

28

Giovanni Cinelli Calvoli, Le bellezze della città di Firenze (Florence: Gio. Gugliantini, 1677), p. 341; on the proposition see Paolo Mancosu, Philosophy of Mathematics and Mathematical Practice in the 17thCentury (Oxford: Oxford University Press, 1996), pp. 28-33, 41-42, 55-56; for Galileo’s allusion to superposition, see Opere (cit. note 1), Vol. 7, pp. 129-130; for Oddi’s sometime reliance on the proposition, see Dello squadro (cit. note 8), pp. 48, 113; Fabrica et uso (cit. note 5), pp. 19, 53, 57.

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