Luigi Canetti, Frammenti di eternità: Corpi e reliquie tra antichità e medioevo (Viella: Rome, 2000); Gianna Pomata, “Malpighi and the Holy Body: Medical Experts and Miraculous Evidence in Seventeenth-Century Italy,” Renaissance Studies, 2007, 21 (4): 568-586 and the bibliography quoted in this article. Also Fernando Vidal, “Brains, Bodies, Selves, and Science: Anthropologies of Identity and the Resurrection of the Body,” Critical Inquiry, 2002, 28 (4): 930-974; Francesco Paolo de Ceglia, “The Archbishop’s Vampires. Giuseppe Davanzati’s Dissertation and the Reaction of ‘Scientific’ Italian Catholicism to the ‘Moravian events,’ Archives internationales d’histoire des sciences, 2011, 61: 487-510.

 Luigi Canetti, Frammenti di eternità: Corpi e reliquie tra antichità e medioevo (Viella: Rome, 2000); Gianna Pomata, “Malpighi and the Holy Body: Medical Experts and Miraculous Evidence in Seventeenth-Century Italy,” Renaissance Studies, 2007, 21 (4): 568-586 and the bibliography quoted in this article. Also Fernando Vidal, “Brains, Bodies, Selves, and Science: Anthropologies of Identity and the Resurrection of the Body,” Critical Inquiry, 2002, 28 (4): 930-974; Francesco Paolo de Ceglia, “The Archbishop’s Vampires. Giuseppe Davanzati’s Dissertation and the Reaction of ‘Scientific’ Italian Catholicism to the ‘Moravian events,’ Archives internationales d’histoire des sciences, 2011, 61: 487-510.)| false
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 Gail Lenhoff, “The Notion of Uncorrupted Relics,” in Christianity and the Eastern Slavs, Vol. I: Slavic Cultures in the Middle Ages, ed. by Boris Gasparov and Olga Raevsky-Hughes (California Slavic Studies, 16, Berkeley and London: University of California Press, 1993), pp. 268-9; Claudio Nun-Ingerflom and Tamara Kondratieva, “Pourquoi la Russie s’agite-t-elle autour du corps de Lénine?,” in La Mort du Roi, ed. by Jacques Julliard (Paris: Gallimard, 1999), pp. 261-292.

 Gail Lenhoff, “The Notion of Uncorrupted Relics,” in Christianity and the Eastern Slavs, Vol. I: Slavic Cultures in the Middle Ages, ed. by Boris Gasparov and Olga Raevsky-Hughes (California Slavic Studies, 16, Berkeley and London: University of California Press, 1993), pp. 268-9; Claudio Nun-Ingerflom and Tamara Kondratieva, “Pourquoi la Russie s’agite-t-elle autour du corps de Lénine?,” in La Mort du Roi, ed. by Jacques Julliard (Paris: Gallimard, 1999), pp. 261-292.)| false
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 Irina Podgorny, “Modern Embalming, Circulation of Fluids, and the Voyage Through the Human Arterial System: Carl L. Barnes and the Culture of Immortality in America,” Nuncius, Journal of the Material and Visual History of Science, 2011, 26 (1): 109-131; Christine Quigley, Modern Mummies: The Preservation of the Human Body in the Twentieth Century (Jefferson and London: McFarland, 1999); Arthur C. Aufderheide, The Scientific Studies of Mummies (Cambridge: Cambridge University Press, 2003).

 Irina Podgorny, “Modern Embalming, Circulation of Fluids, and the Voyage Through the Human Arterial System: Carl L. Barnes and the Culture of Immortality in America,” Nuncius, Journal of the Material and Visual History of Science, 2011, 26 (1): 109-131; Christine Quigley, Modern Mummies: The Preservation of the Human Body in the Twentieth Century (Jefferson and London: McFarland, 1999); Arthur C. Aufderheide, The Scientific Studies of Mummies (Cambridge: Cambridge University Press, 2003).)| false
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 Lisa Cartwright, Screening the Body: Tracing Medicine’s Visual Culture (Minneapolis: The University of Minnesota Press, 1995); José van Dijck, The Transparent Body: A Cultural Analysis of Medical Imaging (Washington: University of Washington Press, 2005); Tina Weber, Drop Dead Gorgeous: Representations of Corpses in American TV Shows (Frankfurt am Main: Campus, 2011). See the official page of the Visible Human Project too: http://www.nlm.nih.gov/research/visible/visible_human.html.

 Lisa Cartwright, Screening the Body: Tracing Medicine’s Visual Culture (Minneapolis: The University of Minnesota Press, 1995); José van Dijck, The Transparent Body: A Cultural Analysis of Medical Imaging (Washington: University of Washington Press, 2005); Tina Weber, Drop Dead Gorgeous: Representations of Corpses in American TV Shows (Frankfurt am Main: Campus, 2011). See the official page of the Visible Human Project too: http://www.nlm.nih.gov/research/visible/visible_human.html.)| false
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