DIETRO L'IMMAGINE. RAPPRESENTAZIONI DI GALILEO NELLA CULTURA POSITIVISTICA* **
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Abstract
<title> SUMMARY </title>This article considers the images of Galileo in Nineteenth-century French and Italian cultures. It compares J. N. Robert-Fleury's picture entitled Galileo davanti al Sant'Uffizio (1847) and F. Ponsard's drama Galileo (1867), produced, respectively, before and after the publication of some documents concerning Galileo's trial.The iconological and philological analysis shows the moral and religious foundations of the controversial Galileo's myth in modern age.
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| All Time | Past 365 days | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 164 | 23 | 8 |
| Full Text Views | 100 | 1 | 0 |
| PDF Views & Downloads | 18 | 6 | 1 |
DIETRO L'IMMAGINE. RAPPRESENTAZIONI DI GALILEO NELLA CULTURA POSITIVISTICA* **
In: NunciusSearch for other papers by PIETRO REDONDI in
Current site
Google Scholar
PubMed
Abstract
<title> SUMMARY </title>This article considers the images of Galileo in Nineteenth-century French and Italian cultures. It compares J. N. Robert-Fleury's picture entitled Galileo davanti al Sant'Uffizio (1847) and F. Ponsard's drama Galileo (1867), produced, respectively, before and after the publication of some documents concerning Galileo's trial.The iconological and philological analysis shows the moral and religious foundations of the controversial Galileo's myth in modern age.
| All Time | Past 365 days | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 164 | 23 | 8 |
| Full Text Views | 100 | 1 | 0 |
| PDF Views & Downloads | 18 | 6 | 1 |