Save

Fantastic Borderlands and Masonic Meta-religion in Rudyard Kipling’s “The Man Who Would Be King”

In: Religion and the Arts
Author:
Lucas Kwong New York City College of Technology USA New York, NY

Search for other papers by Lucas Kwong in
Current site
Google Scholar
PubMed
Close
Download Citation Get Permissions

Access options

Get access to the full article by using one of the access options below.

Institutional Login

Log in with Open Athens, Shibboleth, or your institutional credentials

Login via Institution

Purchase

Buy instant access (PDF download and unlimited online access):

$40.00

Abstract

This article examines Kipling’s “The Man Who Would Be King” through the lens of Freemasonry’s interreligious ideology. In British India, members of “The Craft” offered what scholar James Laine calls a meta-religion, a fraternity whose emphasis on interreligious tolerance masks power relations between colonizers and colonized. When he became a Freemason, Kipling’s lifelong fascination with India’s religious diversity translated into enthusiasm for the sect’s unifying aspirations. In this context, “The Man Who Would Be King” stands out for how sharply it contests that enthusiasm. The story’s Masonic protagonists determine to find glory and riches in Kafiristan, a borderland region known for its idiosyncratic polytheism. Initially offering an ideal staging ground for Masonic triumphalism, the region ultimately upends Freemasonry’s goal of unifying imperial subjects under a metareligious banner; Kipling’s deployment of the fantastic frames Kafiristan as a borderland, not only between Empire and wilderness, but also between incommensurable visions of reality.

Content Metrics

All Time Past 365 days Past 30 Days
Abstract Views 622 227 29
Full Text Views 67 13 0
PDF Views & Downloads 134 33 0