On the Materiality of Images: Philosophy, Painting, and Cinema. Review of Mauro Carbone’s The Flesh of Images
In: Research in PhenomenologySearch for other papers by Stephen A. Noble in
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8
M. Merleau-Ponty, “Le monde sensible et le monde de l’expression [The Material World and the World of Expression],” in Résumés de cours. Collège de France, 1952–1960 (Paris: Éditions Gallimard, 1968), 11–30. (Translation by J. O’Neill in Themes from the Lectures at the Collège de France [Evanston: Northwestern University Press, 1970]).
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9
M. Merleau-Ponty, “L’ontologie cartésienne et l’ontologie aujourd’hui [Cartesian Ontology and Ontology Today],” in Notes des cours au Collège de France, 1958–1959 et 1960–1961, 159–268, and especially 390–391.
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Merleau-Ponty, “Le cinéma et la nouvelle psychologie [Cinema and New Psychology],” in Sens et non-sens 96/54.
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12
Ibid., 104 and 105/58, respectively.
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R. Delaunay, “La lumière”, in Du cubisme à l’art abstrait, ed. P. Francastel (Paris: s.e.v.e.n., 1957). (Translated by D. Shapiro and A. A. Cohen as “Light”, in The New Art of Color. The Writings of Robert and Sonia Delaunay [New York: Viking Books, 1978]).
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On the Materiality of Images: Philosophy, Painting, and Cinema. Review of Mauro Carbone’s The Flesh of Images
In: Research in PhenomenologySearch for other papers by Stephen A. Noble in
Current site
Google Scholar
PubMed
| All Time | Past 365 days | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 387 | 41 | 4 |
| Full Text Views | 210 | 0 | 0 |
| PDF Views & Downloads | 63 | 1 | 0 |
