On the Materiality of Images: Philosophy, Painting, and Cinema. Review of Mauro Carbone’s The Flesh of Images

In: Research in Phenomenology
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  • 1 Université de Paris XII (Paris-Est – Créteil)

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  • 8

    M. Merleau-Ponty, “Le monde sensible et le monde de l’expression [The Material World and the World of Expression],” in Résumés de cours. Collège de France, 1952–1960 (Paris: Éditions Gallimard, 1968), 11–30. (Translation by J. O’Neill in Themes from the Lectures at the Collège de France [Evanston: Northwestern University Press, 1970]).

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  • 9

    M. Merleau-Ponty, “L’ontologie cartésienne et l’ontologie aujourd’hui [Cartesian Ontology and Ontology Today],” in Notes des cours au Collège de France, 1958–1959 et 1960–1961, 159–268, and especially 390–391.

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  • 11

    Merleau-Ponty, “Le cinéma et la nouvelle psychologie [Cinema and New Psychology],” in Sens et non-sens 96/54.

  • 12

    Ibid., 104 and 105/58, respectively.

  • 15

    R. Delaunay, “La lumière”, in Du cubisme à l’art abstrait, ed. P. Francastel (Paris: s.e.v.e.n., 1957). (Translated by D. Shapiro and A. A. Cohen as “Light”, in The New Art of Color. The Writings of Robert and Sonia Delaunay [New York: Viking Books, 1978]).

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