Rhythm and Technics: On Heidegger’s Commentary on Rimbaud
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This article takes up Heidegger’s commentary on Rimbaud’s Lettres du voyant as the starting point for an exploration of the question of rhythm in Heidegger’s thought, and an attempt to situate it within his understanding of technics and Being. Besides pursuing a historical study of the concept of rhythm in Heidegger’s work, this article proposes to understand rhythm through the concept of individuation. It responds to the French philosopher Jacques Garelli’s critique of Heidegger that the latter ignores the question of individuation and always starts with beings that are already individuated. On the contrary, this article attempts to sketch a theory of individuation of rhythm in Heidegger’s proper thinking through a re-interpretation of the Fug—a word he used to translate the Greek word δίκη and words derived from it: joint (Fuge), structure (Gefüge), submission (sich fugen), etc.
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Bambach Charles Thinking the Poetic Measure of Justice Hölderlin-Heidegger-Celan 2013 New York SUNY Press
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Beaufret Jean Neske Günther & Kettering Emil “In Frankreich” Martin Heidegger in Gespräch 1988 Pfullingen Neske
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Benveniste Emile Problems in General Linguistics 1973 Miami University of Miami Press
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Boehm Rudolf “Pensée et technique. Notes préliminaires pour une question touchant la problématique heideggerienne” Revue Internationale de Philosophie 1960 52 2 194 220
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Dreyfus Hubert Dreyfus Hubert & Wrathall Mark “Heidegger on Gaining a Free Relation to Technology” Heidegger Reexamined 2003 Vol. 3: Art, Poetry, and Technology New York Routledge
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Fortier Anne-Marie René Char et la métaphore Rimbaud 1999 Montréal Les presses de l’université de Montréal
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Garelli Jacques Rhythmes et Mondes, au revers de l’identité et de l’altérité. 1991 Grenoble Jérôme Millon
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Gosetti-Ferencei Jennifer A. Heidegger, Hölderlin, and the Subject of Poetic Language: Toward a New Poetics of Dasein 1994 New York Fordham University Press
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Heidegger Martin Anderson J.M. & Freund E. Hans Discourse on Thinking 1969 New York Harper
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Heidegger Martin Lovitt William Question Concerning Technology and other Essays 1977 New York Garland
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Heidegger Martin ga 5 Holzwege 1977 Frankfurt am Main Klostermann (1935–1946)
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Heidegger Martin ga 52 Hölderlins Hymne “Andenken” 1982 Frankfurt am Main Klostermann (Winter semester 1941/42)
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Heidegger Martin ga 54 Parmenides 1982 Frankfurt am Main Klostermann (Winter semester 1942/43)
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Heidegger Martin ga 40 Einführung in die Metaphysik 1983 Frankfurt am Main Klostermann (Summer semester 1935)
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Heidegger Martin ga 13 Aus der Erfahrung des Denkens 1983 Frankfurt am Main Klostermann (1910–1976)
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Heidegger Martin ga 53 Hölderlins Hymne “Der Ister” 1984 Frankfurt am Main Klostermann (Summer semester 1942)
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Heidegger Martin ga 12 Unterwegs zur Sprache 1985 Frankfurt am Main Klostermann (1950–1959)
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Heidegger Martin Krell David Farrell & Capuzzi Frank A. Early Greek Thinking 1985 San Francisco Harper
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Heidegger Martin ga 65 Beiträge zur Philosophie (Vom Ereignis) 1989 Frankfurt am Main Klostermann (1936–1938)
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Heidegger Martin Schuwer André & Rojcewicz Richard Parmenides 1992 Indianapolis Indiana University Press
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Heidegger Martin Hofstadter Albert Poetry, Language, Thought. 2001 San Francisco Harper
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Heidegger Martin ga 76 Leitgedanken zur Entstehung der Metaphysik, der neuzeitlichen Wissenschaft und der modernen Technik 2009 Frankfurt am Main Klostermann
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Heidegger Martin ga 74 Zum Wesen der Sprache und Zur Frage nach der Kunst 2010 Frankfurt am Main Klostermann
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Heidegger Martin & Wisser Richard Neske Günther & Kettering Emil “Martin Heidegger im Gespräch mit Richard Wisser” Martin Heidegger in Gespräch 1988 Pfullingen Neske
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Leroi-Gourhan André Speech and Gesture 1993 Cambridge MIT Press
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Meschonnic Henri Critique du Rhythme. Anthropologie historique du langage 1982 Lagrasse Verdier
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Rimbaud Arthur Mason Wyatt Rimbaud Complete: Poetry and Prose 2003 New York Modern Library
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Simondon Gilbert Du mode d’existence des objets techniques 1989 Paris Aubier
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Simondon Gilbert L’individuation à la lumière des notions de forme et d’information 2005 Grenoble Jérôme Millon
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Stiegler Bernard Technics and Time Volume 2, Disorientation Stanford Stanford University Press
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Valéry Paul Cahiers 1. Poétique et poésie 1975 Paris Gallimard
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Vidler Anthony The Architectural Uncanny 1994 Cambridge MIT Press
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4
J. Gosetti-Ferencei, Heidegger, Hölderlin, and the Subject of Poetic Language: Toward a New Poetics of Dasein (New York: Fordham University Press, 1994), 233.
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5
Rudolf Boehm, “Pensée et technique. Notes préliminaires pour une question touchant la problématique heideggerienne,” Revue Internationale de Philosophie Vol. 14, No. 52 (2) (1960), pp. 194–220.
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8
In Heidegger, trans. Hofstadter, Poetry, Language, Thought (San Francisco: Harper, 2001), 95.
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9
Ibid., 115.
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15
Ibid., 282.
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18
J. Garelli, Rhythmes et Mondes, au revers de l’identité et de l’altérité (Grenoble: Jérôme Millon, 1991), 18.
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19
G. Simondon, L’individuation à la lumière des notions de forme et d’information (Grenoble: Jérôme Millon, 2005), 79.
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20
Ibid., pp. 85–97.
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21
H. Meschonnic, Critique du Rhythme. Anthropologie historique du langage (Lagrasse: Verdier, 1982), 173.
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24
Ibid., 1300.
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26
Garelli, Rhythmes et Mondes, 308. In fact, the citation that Garelli believed to be from Heidegger’s Parmenides is only a summary, there is no exact sentence like this. The closest one is as follows: “In handwriting the relation [Bezug] of Being to man, namely the word, is inscribed in beings themselves. The origin and the way of dealing with writing is already in itself a decision about the relation [Bezug] of Being and of the words to man and consequently a decision about the comportment [Verhältnis] of man to beings and about the way both, man and thing, stand in unconcealedness or are withdrawn from it” ga 54: 125/85.
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42
H. Dreyfus, “Heidegger on Gaining a Free Relation to Technology,” in Heidegger Re-examined, Vol. 3: Art, Poetry, and Technology, eds. Hubert Dreyfus and Mark Wrathall (New York: Routledge, 2003), 165.
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49
Dreyfus, “Heidegger on Gaining a Free Relation to Technology,” 167.
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52
Ibid., 227; translation in Rimbaud Complete: Poetry and Prose, trans. Wyatt Mason (New York: Modern Library, 2003), 369.
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57
Ibid., 311.
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58
See B. Stiegler, Technics and Time, vol. 2, Disorientation (Stanford: Stanford University Press, 2009), 75; and G. Simondon, Du mode d’existence des objets techniques, 59.
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Rhythm and Technics: On Heidegger’s Commentary on Rimbaud
In: Research in PhenomenologySearch for other papers by Yuk Hui in
Current site
Google Scholar
PubMed
This article takes up Heidegger’s commentary on Rimbaud’s Lettres du voyant as the starting point for an exploration of the question of rhythm in Heidegger’s thought, and an attempt to situate it within his understanding of technics and Being. Besides pursuing a historical study of the concept of rhythm in Heidegger’s work, this article proposes to understand rhythm through the concept of individuation. It responds to the French philosopher Jacques Garelli’s critique of Heidegger that the latter ignores the question of individuation and always starts with beings that are already individuated. On the contrary, this article attempts to sketch a theory of individuation of rhythm in Heidegger’s proper thinking through a re-interpretation of the Fug—a word he used to translate the Greek word δίκη and words derived from it: joint (Fuge), structure (Gefüge), submission (sich fugen), etc.
| All Time | Past 365 days | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 1495 | 235 | 21 |
| Full Text Views | 312 | 8 | 0 |
| PDF Views & Downloads | 159 | 26 | 0 |
