Introduction
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Adorno, Theodor W., Negative Dialectics, tr. E.B. Ashton (London: Routledge, 2004).
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Beckett, Samuel, The Complete Dramatic Works (London: Faber, 2006).
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Beckett, Samuel, Echo’s Bones, ed. Mark Nixon (London: Faber, 2014).
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Caselli, Daniela, Beckett’s Dantes: Intertextuality in the Fiction and Criticism (Manchester: Manchester University Press, 2005).
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Driver, Tom, interview with Beckett in Samuel Beckett: The Critical Heritage, ed. Lawrence Graver and Raymond Federman (London: Routledge, 2005), 241–247.
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Gontarski, S.E., “Greying the Canon: Beckett in Performance,” in Beckett after Beckett, ed. S.E. Gontarski and Anthony Uhlmann (Gainesville: University Press of Florida, 2006), 141–157.
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Gontarski, S.E., The Intent of Undoing in Samuel Beckett’s Dramatic Texts (Bloomington: Indiana University Press, 1985)
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Nixon, Mark, Samuel Beckett’s German Diaries, 1936–1937 (London: Continuum, 2011).
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Pountney, Rosemary, Theatre of Shadows: Samuel Beckett’s Drama, 1956–76 (Gerrards Cross: Colin Smythe, 1988).
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Introduction
In: Samuel Beckett Today / Aujourd'huiSearch for other papers by James Little in
Current site
Google Scholar
PubMed
Search for other papers by Georgina Nugent-Folan in
Current site
Google Scholar
PubMed
| All Time | Past 365 days | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 345 | 54 | 9 |
| Full Text Views | 37 | 0 | 0 |
| PDF Views & Downloads | 37 | 2 | 0 |