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XXXIe Congrès National, 20-21-22-23 Mai 1934, Toulouse: Rapports (Paris: Librairie Populaire, 1934).
Adorno, Theodor, Metaphysics: Concepts and Problems (Stanford: Stanford UP, 2001).
Adorno, Theodor, Minima Moralia, trans. E.F.N. Jephcott (New York: Verso, 2002).
Adorno, Theodor, “Notes on Beckett,” trans. Dirk Van Hulle and Shane Weller, in JOBS 19.2 (2010), 157–178.
Adorno, Theodor, Gretel Adorno, Rolf Tiedemann, and Robert Hullot-Kentor, Aesthetic Theory (London: Bloomsbury, 2017).
Beckett, Samuel, En attendant Godot, 1999 ed. (Paris: Minuit, 1952).
Beckett, Samuel, Waiting for Godot (New York: Grove, 1982).
Beckett, Samuel, Disjecta: Miscellaneous Writings and a Dramatic Fragment, ed. Ruby Cohn (London: Calder, 1983).
Beckett, Samuel, Watt (London: Calder, 1998).
Beckett, Samuel, Echo’s Bones, ed. Mark Nixon (New York: Grove, 2014).
Beckett, Samuel, Molloy, in Three Novels: Molloy, Malone Dies, The Unnamable (New York: Grove, 2009).
Beckett, Samuel, The Unnamable, in Three Novels: Molloy, Malone Dies, The Unnamable (New York: Grove, 2009).
Beebe, Maurice, “What Modernism Was,” in Journal of Modern Literature 3.5 (1974), 165–184.
Bernard, Philippe, Henri Dubief, Anthony Forster, Philippe Bernard, and Henri Dubief, The Decline of the Third Republic, 1914–1938 (Cambridge: Cambridge UP, 1985).
Bradby, David, Beckett: Waiting for Godot (Cambridge: Cambridge UP, 2001).
Brater, Enoch, “The Globalization of Beckett’s ‘Godot,’ ” in Comparative Drama 37.2 (2003), 145–158.
Cavell, Stanley, “Ending the Waiting Game: A Reading of Beckett’s Endgame,” in Must We Mean What We Say?: A Book of Essays, ed. Stanley Cavell (New York: Cambridge UP, 2002), 115–162.
Dante, Alighieri, and Mark Musa, The Divine Comedy: Volume II: Purgatory (New York: Penguin, 1985).
Duerfahrd, Lance, The Work of Poverty: Samuel Beckett’s Vagabonds and the Theater of Crisis (Columbus: Ohio State UP, 2013).
Cronin, Anthony, Samuel Beckett: The Last Modernist (London: Harper Collins, 1996).
Esslin, Martin, The Theatre of the Absurd (New York: Anchor, 1961).
Findlay, J.N., “Analysis of the Text” in G.W.F. Hegel, Phenomenology of Spirit (Oxford: Oxford UP, 1977).
Gibson, Andrew, “Beckett, de Gaulle and the Fourth Republic 1944–49: L’ Innommable and En attendant Godot,” in Limit(e) Beckett 1 (2010), 1–26.
Gibson, Andrew, Samuel Beckett (London: Reaktion, 2010).
Gibson, Andrew, “Franco-Irish Beckett: Mercier et Camier in 1945–6,” in Samuel Beckett: Debts and Legacies, ed. David Addyman and Peter Fifield (London: Bloomsbury, 2013).
Gibson, Andrew, “Beckett, Vichy, Maurras, and the Body: Premier Amour and Nouvelles,” in Irish University Review 45 (2015), 281–301.
Gordon, Lois, The World of Samuel Beckett, 1906–1946 (New Haven: Yale UP, 1998).
Harding, James M., “Trying to understand Godot: Adorno, Beckett, and the Senility of Historical Dialectics,” in CLIO: A Journal of Literature, History, and the Philosophy of History 23.1 (1993), 1–22.
Kastell, Serge, Dictionnaire du Français sous l’ occupation: les mots de la Résistance, de la Collaboration et de la vie quotidienne, France-Belgique (1939–1945) (Paris: Grancher, 2013).
Kennedy, Seán, ed., Beckett and Ireland (Cambridge: Cambridge UP, 2010).
Kenner, Hugh, A Reader’s Guide to Samuel Beckett (New York: Farrar, 1973).
Knowlson, James, Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1997).
Lamont, Rosette, “Samuel Beckett’s Wandering Jew,” in Reflections of the Holocaust in Art and Literature, ed. Randolph Braham (New York: Columbia UP, 1990).
Lloyd, David, Beckett’s Thing: Painting and Theatre (Edinburgh UP, 2018).
Lloyd, David, “Writing in the Shit and the Colonial Subject,” in The Irish Review 4 (1988), 59–65.
McCormack, W.J., “Seeing Darkly: Notes on T.W. Adorno and Samuel Beckett,” in Hermathena 141 (1986), 22–44.
McNaughton, James, Samuel Beckett and the Politics of Aftermath (Oxford: Oxford UP, 2018).
Morin, Emilie, Beckett’s Political Imagination (Cambridge: Cambridge UP, 2017).
Nixon, Mark, Samuel Beckett’s German Diaries: 1936–1937 (London: Continuum, 2011).
Oppenheim, Lois, “Playing with Beckett’s Plays: On Sontag in Sarajevo and Other Directional Infidelities,” in JOBS 4.2 (1995), 35–46.
Ronen, Ilan, “Waiting for Godot as Political Theater,” in Directing Beckett, ed. Lois Oppenheim (Ann Arbor: U of Michigan P, 2000), 239–249.
Sartre, Jean Paul, “The Humanism of Existentialism,” in Existentialism Basic Writings, ed. Charles Guignon and Derk Pereboom (Indianapolis: Hackett, 1995).
Shakespeare, William, Hamlet, ed. Harold Jenkins (Italy: Methuen, 1982).
Sontag, Susan, “Godot Comes to Sarajevo,” in The New York Review of Books 40.17 (1993), Web.
Taylor-Batty, Mark, and Juliette Taylor-Batty, Samuel Beckett’s Waiting for Godot (New York, Continuum, 2008).
Trotsky, Leon, La Guerre et la Révolution, trans. André Oak (Paris: Tête de Feuilles, 1974).
Uhlmann, Anthony, ed., Samuel Beckett in Context (New York: Cambridge UP, 2013).
Whitaker, Thomas R., “ ‘Wham, Bam, Thank you Sam’: The presence of Beckett,” in Beckett at 80/ Beckett in Context, ed. Enoch Brater (New York: Oxford UP, 1986).
Wright, Gordon, France in Modern Times: 1760 to the Present (New York: Literary Licensing, LLC, 2011).
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All Time | Past Year | Past 30 Days | |
---|---|---|---|
Abstract Views | 226 | 34 | 2 |
Full Text Views | 45 | 9 | 3 |
PDF Views & Downloads | 57 | 16 | 2 |