Volume 34 (2022): Issue 1 (Apr 2022): Special Issue: « Pénétrer dans l’arène sexuelle » : Sexe et genre dans l’œuvre de Samuel Beckett / “Stepping down into the sexpit”: Sex and Gender in Samuel Beckett’s Work, edited by Pascale Sardin, Stéphanie Ravez, Jean-Michel Gouvard et Matthijs Engelberts
in Samuel Beckett Today / Aujourd'hui
« Pénétrer dans l’ arène sexuelle » – Sexe et genre dans l’ œuvre de Samuel Beckett
Pages:
1–10
Publication Date:
25 Apr 2022
Women’s Labour and Keening in Not I
Pages:
11–23
Publication Date:
25 Apr 2022
Not I, Sexual Trauma, and Rape Play
Pages:
24–38
Publication Date:
25 Apr 2022
The Lustful Gaze in Beckett’s Happy Days
Pages:
39–50
Publication Date:
25 Apr 2022
Winnie’s Survival Strategies in Beckett’s Happy Days
Pages:
51–62
Publication Date:
25 Apr 2022
Pages:
63–78
Publication Date:
25 Apr 2022
A Dialogue between Jonathan Heron and Nando Messias
Pages:
79–91
Publication Date:
25 Apr 2022
A Re-assessment of the Figure of Celia
Pages:
92–105
Publication Date:
25 Apr 2022
Pages:
106–118
Publication Date:
25 Apr 2022
The (Self-)Censorship of Beckett’s Radio Drama on the BBC Third Programme
Pages:
134–147
Publication Date:
25 Apr 2022
The Presence of Beckett in American Men’s Magazines
Pages:
148–162
Publication Date:
25 Apr 2022
Reconsidering Gertrude Stein’s Marginalisation in Discussions of Samuel Beckett’s Autographic Writing
Pages:
163–176
Publication Date:
25 Apr 2022