Adler, A. 1971. Suda. Berlin: Teubner. “Euripides” Accessed through the Suda On Line. http://www.stoa.org/sol-entries/epsilon/3694

Allen, T.W. 1901. “The Euripidean Catalogue of Ships.” Classical Review 15: 346–350.

Allen, T.W. 1907. “The Homeridae.” Classical Quarterly 1: 135–143.

Bacon-Smith, C.A. 1992. Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press.

Basu, B. 2016. “Virgilian Fandom in the Renaissance.” Transformative Works and Cultures 21: http://journal.transformativeworks.org/index.php/twc/article/view/683/605

Bernstein, J. 2016. “J.J. Abrams: ‘Star Wars fans are passionate and obsessive. And I’m one of them.’ ” The Guardian, April 30: https://www.theguardian.com/global/2016/apr/30/jj-abrams-the-force-awakens-star-trek

Boeckh, A. 1808. Graecae tragoediae principum, Aeschyli, Sophoclis, Euripidis, num ea quae supersunt et genuina omnia sint, et forma primitiva servata, an eorum familiis aliquid debeat ex iis tribui. Heidelberg: ex officina et libraria academica Mohrii et Zimmeri.

Brinker, F. 2015. “NBC’s Hannibal and the Politics of Audience Engagement.” In Däwes, B., Ganser, A. and Poppenhagen, N. eds. Transgressive Television: Politics and Crime in 21st-Century American TV Series. Heidelberg: Universitätsverlag Winter. 303–328.

Bryant, A. 2015. “Hannibal Boss on the Finale: ‘If the Audience is Done, Then I Will Be Done.’ ” TV Guide, August 29: http://www.tvguide.com/news/hannibal-series-finale-postmortem-bryan-fuller/

Burton, B. 2013. “Director J.J. Abrams and His Lifelong Appreciation of Star Wars.” http://www.starwars.com/news/director-j-j-abrams-and-his-lifelong-appreciation-of-star-wars

Busse, K. 2013. “Geek Hierarchies, Boundary Policing, and the Gendering of the Good Fan.” Participations 10: 73–91.

Busse, K. 2015. “Fan Labor and Feminism: Capitalizing on the Fannish Labor of Love.” Cinema Journal 54: 110–115.

Corrigan, K. 2015. “Hannibal Creator Bryan Fuller on Cannibalism, Diverse Representation, and the Unwavering Bonds of Male Friendship.” Bloody Disgusting, December 8: http://bloody-disgusting.com/interviews/3372394/3372394/

De Kosnik, A. 2015. “Fifty Shades and the Archive of Women’s Culture.” Cinema Journal 54: 116–125.

Delwiche, A. and Henderson, J.J. eds. 2013. The Participatory Cultures Handbook. New York: Routledge.

Derecho, A. 2006. “Archontic Literature: A Definition, a History, and Several Theories of Fan Fiction.” In Hellekson, K. and Busse, K. eds. Fan Fiction and Fan Communities in the Age of the Internet: New Essays. Jefferson, NC: McFarland. 61–79.

Dibdin, E. 2015. “Hannibal: Bryan Fuller Talks Season 4, Sexual Fluidity, and How Will Became Clarice Starling.” Digital Spy, September 6: http://www.digitalspy.com/tv/hannibal/interviews/a667077/hannibal-bryan-fuller-talks-season-4-sexual-fluidity-and-how-will-became-clarice-starling/

Duffett, M. 2013. Understanding Fandom: An Introduction to the Study of Media Fan Culture. New York: Bloomsbury.

Enik, B. 2013. “J.J. Abrams: Star Trek Was ‘Too Philosophical For Me.’ ” Yahoo! Movies, May 14: https://www.yahoo.com/entertainment/blogs/movie-talk/j-j-abrams-star-trek-too-philosophical-192548009.html

Faraone, C. 1996. “Taking ‘Nestor’s Cup Inscription’ Seriously: Erotic Magic and Conditional Curses in the Earliest Inscribed Hexameters.” Classical Antiquity 15: 77–112.

Farley, S.K. 2016. “Versions of Homer: Translation, Fan Fiction, and Other Transformative Rewriting.” Transformative Works and Cultures 21: http://journal.transformativeworks.org/index.php/twc/article/view/673/600

Fathallah, J. 2017. Fanfiction and the Author: How Fanfic Changes Popular Cultural Texts. Amsterdam: Amsterdam University Press.

Ford, A. 2013. “Being There: A Poetics of Euripides’ IA-DRAFT.” Rhetoric and Poetics Workshop, University of Chicago, October 24: https://xa.yimg.com/kq/groups/13907393/922931500/…/Being_There.CHICAGO.pdf

Gallagher, B. 2016. “Watch Every Moment Star Wars: The Force Awakens Ripped Off A New Hope.” Movieweb, March 28: http://movieweb.com/star-wars-force-awakens-new-hope-comparison-video/

Garner, R. 1990. From Homer to Tragedy: The Art of Allusion in Greek Poetry. London: Routledge.

Gibert, J. 1997. “Euripides’ Hippolytus Plays: Which Came First?” Classical Quarterly 47: 85–97.

Gibert, J. 2011. “Hellenicity in Euripidean Tragedy.” In Carter, D.M. ed. Why Athens? A Reappraisal of Tragic Politics. Oxford: Oxford University Press: 383–402.

Giroux, J. 2013. “Interview: Bryan Fuller Finds the Humor of Eating Innards For Hannibal.” Film School Rejects, April 12: https://filmschoolrejects.com/interview-bryan-fuller-finds-the-humor-of-eating-innards-for-hannibal-3856d508f563/

Gray, J. 2003. “New Audiences, New Textualites: Anti-fans and Non-fans.” International Journal of Cultural Studies 6: 64–81.

Gray, J., Sandvoss, C., and Harrington, C.L. eds. 2007a. Fandom: Identities and Communities in a Mediated World. New York: New York University Press.

Gray, J., Sandvoss, C., and Harrington, C.L. 2007b. “Introduction.” In Gray, Sandvoss, and Harrington 2007a, eds. 1–16.

Gurd, S.A. 2005. Iphigenias at Aulis: Textual Multiplicity, Radical Philology. Ithaca, NY: Cornell University Press.

Hall, F.W. and Geldart, W.M. 1907. Aristophanes comoediae. Vol. 2. Oxford: Clarendon Press.

Harrington, C. and Bielby, D. 1995. Soap Fans: Pursuing Pleasure and Making Meaning in Everyday Life. Philadelphia: Temple University Press.

Hellekson, K. and Busse, K. 2014. “Introduction: Why A Fan Fiction Studies Reader Now?” In Hellekson, K and Busse, K. eds. The Fan Fiction Studies Reader. Iowa City: University of Iowa Press. 1–18.

Hills, M. 2002. Fan Cultures. London: Routledge.

Hose, M. 1991. Studien zum Chor bei Euripides: Teil 1. Stuttgart: B.G. Teubner.

Jenkins, H. 1992. “ ‘Strangers No More, We Sing’: Filking and the Social Construction of the Science Fiction Fan Community.” In Lewis, L.A. ed. The Adoring Audience: Fan Culture and Popular Media. London: Routledge. 208–236.

Jenkins, H. 2006. “When Fandom Goes Mainstream …” Blogpost, November 29: http://henryjenkins.org/2006/11/when_fandom_goes_mainstream.html

Jenkins, H. 2009. Convergence Culture: Where Old and New Media Collide. New York: New York University Press.

Jenkins, H. 2013. “The Guiding Spirit and the Powers that Be: A Response to Suzanne Scott.” In Delwiche and Henderson, eds. 53–58.

Jouan, F. 1966. Euripide et les légendes des chants Cypriens: Des origines de la guerre de Troie à l’ Iliade. Paris: Les Belles Lettres.

Kahane, A. 2016. “Fan Fiction, Early Greece, and the Historicity of Canon.” Transformative Works and Cultures 21: http://journal.transformativeworks.org/index.php/twc/article/view/681/553

Keegan, R. 2015. “Star Wars: The Force Awakens Reflects Our Diverse, Modern World.” Los Angeles Times, December 21: http://www.latimes.com/entertainment/movies/la-et-mn-star-wars-diversity-20151221-story.html

Keen, T. 2016. “Symposium: Are Fan Fiction and Mythology Really the Same?” Transformative Works and Cultures 21: http://journal.transformativeworks.org/index.php/twc/article/view/689/608

Kovacs, G. 2017. “The Telephos of Aristophanes.” Unpublished manuscript.

Lada-Richards, I. 2002. “Reinscribing the Muse: Greek Drama and the Discourse of Inspired Creativity.” In Spentzou, E. and Fowler, D. eds. Cultivating the Muse: Struggles for Power and Inspiration in Classical Literature. Oxford: Oxford University Press. 69–92.

Lamberton, R. 1992. “Introduction.” In Lamberton, R. and Keany, J.J. eds. Homer’s Ancient Readers: The Hermeneutics of Greek Epic’s Earliest Exegetes. Princeton: Princeton University Press.

Lange, K. 2002. Euripides und Homer: Untersuchungen zur Homernachwirkung in Elektra, Iphigenie im Taurerland, Helena, Orestes und Kyklops. Stuttgart: Franz Steiner.

Lantagne, S.M. 2015. “Sherlock Holmes and the Case of the Lucrative Fandom: Recognizing the Economic Power of Fanworks and Reimagining Fair Use in Copyright.” Michigan Telecommunications and Technology Law Review 21: 263–315.

LondonFog. 2016. “#Faninteraction: Social Media and Representation in Popular Television.” The Artifice, August 27: https://the-artifice.com/faninteraction-social-media-representation-popular-television/

McCardle, M. 2003. “Fan Fiction, Fandom, and Fanfare: What’s All the Fuss.” Boston University Journal of Science and Technology Law 9: 433–470.

McCracken, A. and Faucette, B. 2015. “Branding Hannibal: When Quality TV Viewers and Social Media Fans Converge.” antenna, August 24: http://blog.commarts.wisc.edu/2015/08/24/branding-hannibal-when-quality-tv-viewers-and-social-media-fans-converge/

McDermott, E.A. 2000. “Euripides’ Second Thoughts.” Transactions of the American Philological Association 130: 239–259.

McMillan, G. 2016. “J.J. Abrams Responds to ‘Rip-Off’ Criticism About Star Wars: The Force Awakens.” The Hollywood Reporter, January 8: http://www.hollywoodreporter.com/heat-vision/jj-abrams-responds-rip-criticism-853352

Michelakis, P. 2006. Euripides: Iphigenia at Aulis. London: Duckworth.

Michelini, A.N. 1989. “Nephron and Euripides’ Medeia 1056–80.” Transactions of the American Philological Association 119: 115–135.

Monro, D.B. and Allen, T.W. 1920. Homeri opera. 5 vols. Oxford: Oxford University Press.

Moorton, R. 1987. “Euripides’ Andromeda in Aristophanes’ Frogs.” American Journey of Philology 108: 434–436.

Morimoto, L. 2017. “ ‘First Principles’: Hannibal, Affective Economy, and Oppositionality in Fan Studies.” Unpublished manuscript. https://hcommons.org/deposits/item/hc:15571/

Morimoto, L. 2018. “Hannibal: Adaptation and Authorship in the Age of Fan Production.” In Finn, K.M. and Nielsen, E. eds. Becoming: Essays on NBC’s Hannibal. Syracuse, NY: Syracuse University Press. Forthcoming.

Most, G. 1990. “Canon Fathers: Literacy, Mortality, Power.” Arion 1: 35–60.

Murray, G. 1913. Euripidis fabulae. Vol. 3. Oxford: Clarendon Press.

obsession_inc. 2009. “Affirmational Fandom vs. Transformational Fandom.” Dreamwidth.org, June 1: http://obsession-inc.dreamwidth.org/82589.html

Orange, B.A. 2016. “Star Wars or Star Trek: Where do J.J. Abrams’ Loyalties Lie?” Movieweb, August 1: http://movieweb.com/star-wars-star-trek-jj-abrams-loyalties/

Pearson, R. 2007. “Bachies, Bardies, Trekkies, and Sherlockians.” In Gray, Sandvoss, and Harrington 2007a, eds. 98–109.

Petrain, D. 2014. Homer in Stone: The Tabulae Iliacaein Their Roman Context. Cambridge: Cambridge University Press.

Pratt, L. 1995. “The Seal of Theognis, Writing, and Oral Poetry.” American Journal of Philology 116: 171–184.

Prudom, L. 2015. “Hannibal Showrunner Bryan Fuller Says Season 3 is the ‘Series I’ve always wanted to make.’ ” Variety, June 4: http://variety.com/2015/tv/news/hannibal-season-3-will-relationship-red-dragon-1201512730/

Rabinowitz, N.S. 2013. “Women as Subject and Object of the Gaze in Tragedy.” Helios 40: 195–221.

Radish, C. 2013. “Showrunner Bryan Fuller Talks Hannibal, the Show’s Inception, Gauging the Level of Violence, the Overall Series Plan, Using the Red Dragon Storyline, More.” Collider, May 13: http://collider.com/bryan-fuller-hannibal-interview/

Robinson, T. 2015. “Star Wars: The Force Awakens Shows the Joys—and Limits—of Fulfilled Nostalgia.” The Verge, December 18: https://www.theverge.com/2015/12/18/10543196/star-wars-the-force-awakens-a-new-hope-nostalgia

Romano, A. 2015. “Gay Cannibal Fiction Divides Hannibal Fans.” The Daily Dot, December 11: https://www.dailydot.com/parsec/fandom/gay-hannibal-fandom-homophobia-problem/

Rose, S. 2009. “J.J. Abrams: ‘I Never Got Star Trek.’ ” The Guardian, May 7: https://www.theguardian.com/film/2009/may/07/jj-abrams-interview-star-trek

Sammons, B. 2010. The Art and Rhetoric of the Homeric Catalogue. Oxford: Oxford University Press.

Scarano, R. 2014. “Bryan Fuller Knows You’re Reading Into Hannibal’s Homoeroticism, and He Thinks It’s Hilarious.” Complex, September 16: http://ca.complex.com/pop-culture/2014/09/bryan-fuller-hannibal-interview-slash-fiction

Scodel, R. 1997. “Teichoscopia, Catalogue, and the Female Spectator in Euripides.” Colby Quarterly 33: 76–93.

Scott, S. 2013a. “Dawn of the Undead Author: Fanboy Auteurism and Zack Snyder’s ‘Vision’.” In Gray, J. and Johnson, D. eds. A Companion to Media Authorship. Malden, MA: Wiley Blackwell. 440–462.

Scott, S. 2013b. “Fanboy Auteur in Transmedia Storytelling.” In Delwiche and Henderson, eds. 43–52.

Scharffenberger, E. 2012. “Axionicus, The Euripides Fan.” In Marshall, C.W. and Kovacs, G. eds. No Laughing Matter: Studies in Athenian Comedy. London: Bristol Classical Press. 159–176.

Sealey, R. 1957. “From Phemios to Ion.” Revue des Études Grecques 70: 312–355.

Simonova, N. 2012. “Fan Fiction and the Author in the Early 17th Century: The Case of Sidney’s Arcadia.” Transformative Works and Cultures 11: http://journal.transformativeworks.org/index.php/twc/article/view/399/314

Squire, M. 2011. The Iliad in a Nutshell: Visualizing Epic on the Tabulae Iliacae. Oxford: Oxford University Press.

Stockert, W. 1982. “Zum Schlussteil der Parodos der euripideischen Iphigenie in Aulis (V. 277 ff.)” Prometheus: Rivista di studi classici 8: 21–30.

Torrance, I. 2013. Metapoetry in Euripides. Oxford: Oxford University Press.

Torrey, K.T. 2015. “Love for the Fannish Archive: Fuller’s Hannibal as Fanfiction.” antenna, August 25: http://blog.commarts.wisc.edu/2015/08/25/love-for-the-fannish-archive-fullers-hannibal-as-fanfiction/

TWC Editor. 2008. “Interview with Henry Jenkins.” Transformative Works and Cultures 1: http://journal.transformativeworks.org/index.php/twc/article/view/61/16

VanDerWerff, T. 2013. “Bryan Fuller Walks Us Through the First Three Episodes of Hannibal (1 of 4).” A.V. Club, July 23: http://www.avclub.com/article/bryan-fuller-walks-us-through-the-first-three-epis-100582

Willis, I. 2016. “Editorial: The Classical Canon and/as Transformative Work.” Tranformative Works and Cultures 21: http://journal.transformativeworks.org/index.php/twc/article/view/807/594

Wilson, A. 2016. “The Role of Affect in Fan Fiction.” Transformative Works and Cultures 21: http://journal.transformativeworks.org/index.php/twc/article/view/684

Wise, J. 2000. Dionysus Writes: The Invention of Theatre in Ancient Greece. Ithaca, NY: Cornell University Press.

Zeitlin, F. 1995. “Art, Memory, and Kleos in Euripides’ Iphigenia in Aulis.” In Goff, B. ed. History, Tragedy, Theory: Dialogues on Athenian Drama. Austin: University of Texas Press. 174–182.

Zeitlin, F. 2007. “Visions and Revisions of Homer.” In Goldhill, S. ed. Being Greek Under Rome: Cultural Identity, the Second Sophistic and the Development of Empire. Cambridge: Cambridge University Press. 195–268.