Art and Material Culture in Medieval and Renaissance Europe
Editors:
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Sarah Blick
Sarah Blick
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Laura D. Gelfand
Laura D. Gelfand
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This series offers art-historical and interdisciplinary approaches to how art was conceived, produced, and received across Europe, from the early medieval to the early modern. It pays particular attention to the social, cultural, religious, and political history of the period as seen through contemporary visual and material culture.
The series is interested in all areas of European artistic life in the Middle Ages and Renaissance. Work in the series explores art forms such as painting, sculpture, architecture, textiles, glass, metalwork, ceramics, ephemera, spatial strategies, and more. Themes of study may include emotions, the senses, devotional practices, the environment, animals, bodies, otherness, religious and social changes, literacy (written and visual), protest, and issues of class, race, and gender, to name only a few. Interdisciplinary, multidisciplinary, and comparative work is also warmly welcomed. The series publishes monographs, edited thematic collections, and reference works.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editors, Professor Sarah Blick and Professor Laura D. Gelfand or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
The series is interested in all areas of European artistic life in the Middle Ages and Renaissance. Work in the series explores art forms such as painting, sculpture, architecture, textiles, glass, metalwork, ceramics, ephemera, spatial strategies, and more. Themes of study may include emotions, the senses, devotional practices, the environment, animals, bodies, otherness, religious and social changes, literacy (written and visual), protest, and issues of class, race, and gender, to name only a few. Interdisciplinary, multidisciplinary, and comparative work is also warmly welcomed. The series publishes monographs, edited thematic collections, and reference works.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editors, Professor Sarah Blick and Professor Laura D. Gelfand or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
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The Baptismal Font Canopy of St. Peter Mancroft, NorwichStudies of a Medieval Monument over Four CenturiesVolume 20978-90-04-68057-9
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Art, Architecture, and the Moving Viewer, c. 300-1500 CEUnfolding NarrativesVolume 18978-90-04-51055-5
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Transmissions and Translations in Medieval Literary and Material CultureVolume 17978-90-04-50190-4
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Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual CultureVolume 14978-90-04-39052-2
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The Shroud at CourtHistory, Usages, Places and Images of a Dynastic RelicVolume 13978-90-04-39050-8
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Almost Eternal: Painting on Stone and Material Innovation in Early Modern EuropeVolume 10978-90-04-36149-2
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Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern CityVolume 8978-90-04-33952-1
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The Limits of Identity: Early Modern Venice, Dalmatia, and the Representation of DifferenceVolume 7978-90-04-33151-8
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Our Dogs, Our SelvesDogs in Medieval and Early Modern Art, Literature, and SocietyVolume 6978-90-04-32861-7
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Material Culture and Queenship in 14th-century FranceThe Testament of Blanche of Navarre (1331-1398)Volume 5978-90-04-31883-0
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Cellini's Perseus and Medusa and the Loggia dei LanziConfigurations of the Body of StateVolume 4978-90-04-29678-7
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Wounded Cities: The Representation of Urban Disasters in European Art (14th-20th Centuries)Volume 3978-90-04-30068-2
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Stone, Flesh, Spirit: The Entombment of Christ in Late Medieval Burgundy and ChampagneVolume 2978-90-04-29314-4
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From the Mandylion of Edessa to the Shroud of TurinThe Metamorphosis and Manipulation of a LegendVolume 1978-90-04-27852-3
Sarah Blick, Ph.D. (1994) in Art History, University of Kansas, is Professor of Art History at Kenyon College. Her research focuses on medieval pilgrimage art and English parish churches. She is editor-in-chief of Peregrinations: Journal of Medieval Art and Architecture.
Laura D. Gelfand, Ph.D. (1994) in Art History, Case Western Reserve University, is Professor of Art History and Department Head at Utah State University. She has published widely on the art and architecture of the Northern Renaissance with a particular focus on reception.
Laura D. Gelfand, Ph.D. (1994) in Art History, Case Western Reserve University, is Professor of Art History and Department Head at Utah State University. She has published widely on the art and architecture of the Northern Renaissance with a particular focus on reception.