Brill’s Studies on Art, Art History, and Intellectual History
Editor:
Walter S. Melion
Walter S. Melion
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For vols. 1–50, click HERE
Art history has absorbed theories and methods from other disciplines such as history, philosophy, anthropology, and, more recently, film and gender studies; conversely, it has had an impact on these and other disciplines, its relevance confirmed by the visual turn newly evident throughout the humanities. The history of art history itself reflects trends in intellectual history, and the art historian's intellectual and cultural formation determines what counts as an art historical object, and how such objects are theorized and interpreted. The interpretation of a work of art must therefore activate the self-reflexive capacity of art historical inquiry. Brill’s Studies on Art, Art History, and Intellectual History (BSAI) is dedicated to the study of historical and contemporary works of art, in ways that reflect on the history of art, its theories and methods, and its relation to the cultural milieux in which art historians operate.
(i>The first fifty volumes in this series have been published as a subseries of Brill's Studies in Intellectual History (ISSN 0920-8607). As of vol. 51, BSAI is an independent book series.
Art history has absorbed theories and methods from other disciplines such as history, philosophy, anthropology, and, more recently, film and gender studies; conversely, it has had an impact on these and other disciplines, its relevance confirmed by the visual turn newly evident throughout the humanities. The history of art history itself reflects trends in intellectual history, and the art historian's intellectual and cultural formation determines what counts as an art historical object, and how such objects are theorized and interpreted. The interpretation of a work of art must therefore activate the self-reflexive capacity of art historical inquiry. Brill’s Studies on Art, Art History, and Intellectual History (BSAI) is dedicated to the study of historical and contemporary works of art, in ways that reflect on the history of art, its theories and methods, and its relation to the cultural milieux in which art historians operate.
(i>The first fifty volumes in this series have been published as a subseries of Brill's Studies in Intellectual History (ISSN 0920-8607). As of vol. 51, BSAI is an independent book series.
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Rubens and the Dominican Church in AntwerpArt and Political Economy in an Age of Religious ConflictVolume 67978-90-04-27638-3
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Tombs in Early Modern Rome (1400–1600)Monuments of Mourning, Memory and MeditationVolume 65978-90-04-52693-8
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Andrea Fulvio’s Illustrium imagines and the Beginnings of Classical ArchaeologyVolume 64978-90-04-29349-6
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Karel van Mander and his Foundation of the Noble, Free Art of PaintingFirst English Translation, with Introduction and CommentaryVolume 62978-90-04-52307-4
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Rethinking the Dialogue between the Verbal and the VisualMethodological Approaches to the Relationship Between Religious Art and Literature (1400–1700)Volume 61Editor(s): Ingrid Falque and Agnès Guiderdoni978-90-04-26512-7
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Early Modern Thesis Prints in the Southern NetherlandsAn Iconological Analysis of the Relationships between Art, Science and PowerVolume 60978-90-04-49836-5
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Art in DisputeCatholic Debates at the Time of Trent. With an Edition and Translation of Key DocumentsVolume 59978-90-04-47223-5
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Visualizing the Past in Italian Renaissance ArtEssays in Honor of Brian A. CurranVolume 53Editor(s): Jennifer Cochran Anderson and Douglas N. Dow978-90-04-44777-6
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Applied Emblems in the Cathedral of LugoEuropean Sources for a Spanish Cycle Addressed to the Virgin MaryVolume 51978-90-04-44768-4