Japanese Visual Culture
Series Editors:
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John T. Carpenter (managing editor)
John T. Carpenter (managing editor)
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Julie Nelson Davis
Julie Nelson Davis
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Hans Bjarne Thomsen
Hans Bjarne Thomsen
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Gennifer Weisenfeld
Gennifer Weisenfeld
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Japanese Visual Culture is an academic series devoted to the visual culture of the Japanese archipelago of every era. It includes studies on the history of painting, prints, calligraphy, sculpture, architecture and applied arts, but also extends to the performing arts, cinema, manga and anime. Despite the recent trend away from monographs on individual artists or object-based studies, the Japanese Visual Culture series recognizes the still-crucial need for research on Japanese artists or previously neglected categories of art to help build the foundation for the further development of the field. It also actively seeks interdisciplinary or theoretical approaches to archaeology, religion, literature, and the social sciences. Though all volumes are published in English, the series encourages submission by scholars based in Europe.
The series is attractively designed and allows for copious illustrative material, using the latest technology for high-quality colour reproduction. The books rely on Brill’s well-established distribution networks to research libraries in Europe, North America, and East Asia, especially Japan. While the primary readership will be specialists and students of Japanese art history and related fields, we expect the attractively designed format will attract wider audiences.
The series is attractively designed and allows for copious illustrative material, using the latest technology for high-quality colour reproduction. The books rely on Brill’s well-established distribution networks to research libraries in Europe, North America, and East Asia, especially Japan. While the primary readership will be specialists and students of Japanese art history and related fields, we expect the attractively designed format will attract wider audiences.
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Imagery of the Orchid Pavilion GatheringVisualizing Tokugawa Cultural NetworksVolume 22978-90-04-52802-4
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Patriotic Pedagogy: How Karuta Game Cards Taught a Japanese War GenerationVolume 20978-90-04-50368-7
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Shirakaba and Japanese ModernismArt Magazines, Artistic Collectives, and the Early Avant-gardeVolume 18978-90-04-39363-9
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Fabricating the Tenjukoku Shūchō Mandara and Prince Shōtoku’s AfterlivesVolume 17978-90-04-18260-8
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Constructing the Dharma King: The Hōryūji Shaka Triad and the Birth of the Prince Shōtoku CultVolume 15978-90-04-29245-1
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Mirroring the Japanese EmpireThe Male Figure in Yōga Painting, 1930–1950Volume 14978-90-04-28259-9
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Courtly VisionsThe Ise Stories and the Politics of Cultural AppropriationVolume 12978-90-04-24943-1
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Painting CirclesTsuchida Bakusen and Nihonga Collectives in Early Twentieth Century JapanVolume 11978-90-04-24945-5
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Aesthetic Strategies of The Floating WorldMitate, Yatsushi, and Fūryū in Early Modern Japanese Popular CultureVolume 9978-90-04-20987-9
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Painting Nature for the NationTaki Katei and the Challenges to Sinophile Culture in Meiji JapanVolume 8978-90-04-24941-7
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Miyazawa Kenji and His IllustratorsImages of Nature and Buddhism in Japanese Children's LiteratureVolume 7978-90-04-24940-0
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Hell-bent for Heaven in Tateyama MandaraPainting and Religious Practice at a Japanese MountainVolume 6978-90-04-20335-8
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Edwardian London through Japanese EyesThe Art and Writings of Yoshio Markino, 1897–1915Volume 4978-90-04-24946-2
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Portraits of ChōgenThe Transformation of Buddhist Art in Early Medieval JapanVolume 1978-90-04-16864-0
Edited by John T. Carpenter (managing editor), Julie Nelson Davis, Shigeru Oikawa, Henry D. Smith II, Hans Bjarne Thomsen and Gennifer Weisenfeld