New Guide to Poetry and Poetics opens with analyses of the elemental forces of creativity: the creative impulse, the creative imagination and the sacred impulse. The book then describes in detail how a poet’s voice and vision are formed and sometimes reformed in the course of a career, and it establishes the real nature of rhythm and music in poetry. Problematic areas – inspiration, meaning, reality, myth and mystery in poetry – are fully explored in discourses that identify the true properties of poetry, dispel several misconceptions and expose inadequacies in current literary theory. The author examines concepts of poetry from Plato to the twenty-first century. The book includes detailed studies of the principles of poetry expressed by Wordsworth, Coleridge, Shelley and Keats at the beginning of the nineteenth century, and of the widely contrasting principles of Arnold and Emerson in the second half of that century. There are radical re-assessments of the concepts – in effect, the philosophies – of major poet-critics of the twentieth century: W. B. Yeats, T. S. Eliot, Ezra Pound, W. H. Auden, Wallace Stevens, William Carlos Williams and Stephen Spender. The poetic principles of Seamus Heaney and Robert Nye form a bridge from the last century to the present. By focusing on the creative process and applying the findings of linguistics and neuroscience, the book shows ways in which the poet’s mind functions in the making of poems. On questions of brain and mind the book considers the findings, and the conjectures, of Daniel Dennett, Antonio Damasio, Oliver Sacks, Michael Persinger and the remarkably durable work of William James. On questions of language it considers the works of Ludwig Wittgenstein and recent work by Noam Chomsky, David Crystal and Steven Pinker; the author also draws on his own knowledge of the properties of language.
James Aitchison‘s publications include
The Golden Harvester: The Vision of Edwin Muir,
The Cassell Dictionary of English Grammar and
Foraging: New and Selected Poems.
”Aitchison’s criticism of the absurdities of Barthes’ and Foucault’s deluded intellectualism and post-modern intellectual masturbation has never been better stated in all my reading and research. This book is worth its publication for this chapter alone. […]
New Guide to Poetry and Poetics is well written and an enjoyable, interesting read. There are some highly contentious issues discussed, or in some cases, claims asserted--for example, that poetry comes from the brain/mind of the poet, not as ancient lore would have it from the gods or Muses or divine intervention. This kind of scientifically based assumption is open for discussion, without doubt, and is not a criticism of the book per se. I thoroughly recommend this book to all poetry students, teachers of literature, practising established poets and especially literary theorists.” - Rob Harle, in:
Leonardo Online 2014
Table of contents
The Creative Impulse Imagination The Sacred Impulse Poetic Vision Madness Poetic Voice Emotion in Poetry Thought in Poetry Meaning The Poet’s Role A Fellowship of Poets Language Poetry and Music Technique Imagery Rhyme Rhythm Poetry and Reality Reading Poetry Bibliography Index of Names Index of Topics