Chaos and Madness

The Politics of Fiction in Stephen Marlowe’s Historical Narratives

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In the 1950s prolific U.S. fiction writer Stephen Marlowe became a cult author for lovers of noir fiction mainly for his Drumbeat series, which present his best-known character: private eye Chester Drum. Yet, the academia never paid much attention to his multifaceted, extensive oeuvre. Chaos and Madness is the first volume offering a critical approach to Marlowe’s riveting historical novels. Their relevance in the field of literary studies derives from their well-wrought structure and captivating prose as well as from their portrayal of remote European history – a distinctive feature that makes Marlowe a unique figure in the North American trend of historiographic metafiction.
Chaos and Madness provides a comprehensive narratological and ideological analysis of three novels in which Marlowe deals with Spanish history. Preceded by an in-depth if reader-friendly theoretical chapter that traces the evolution of the historical novel as a genre, Calvo-Pascual’s meticulous investigation into Marlowe’s fiction proves compelling for anyone interested in contemporary American fiction, in Spanish history, or in the interaction of metafiction and the scientific discourse of chaos theory.

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Chaos and Madness has been awarded the Javier Coy Biennial Research Awards 2013 for best monograph.
The goal of these awards is to promote high-quality scholarship in the field of American Studies, and to celebrate the originality and excellence of research carried out within SAAS.

" Chaos and Madness is theoretically engaged. The author has an admirable ability to explain abstruse concepts in simple terms. Her analysis is sophisticated, yet clear and fluently written. As a rule, Calvo-Pascual works with precise definitions, leading readers interested in the complex world of Stephen Marlowe by the hand." – in: Miscelánea: a Journal of English and American Studies 44 (2011), pp. 151-156
Acknowledgments
Introduction
History and the Novel: An Overview
Mastering the Art: The Historical Novel and Local Color
Between Magic and Madness: A Portrait of Spain and Its Neuroses
Postmodern Critique and the Hand of the Historian
Chaos, Complexity and Interpretation
Beyond Reference: Historiographic Metafiction Impinged by Science Fiction
The Novel Never Ends: On Alternative Worlds, Jewish Connections and Infinite Regress
Concluding Remarks
Appendix I
Appendix II
Bibliography
Index
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