Since 1974, the French Literature Series publishes essays in conjunction with the theme of the bi-annual French Literature Conference, sponsored by the Department of Languages, Literatures, and Cultures of the University of South Carolina, Columbia, South Carolina, USA. In addition to the scholarly papers selected for publication by the Editorial Board, it also accepts notes on the conference topic. Contributors should note that FLS does not publish conference proceedings. Rather, submissions must be revised for publication and undergo blind peer review.
All communications concerning the French Literature Series should be addressed to the Editor, Jeanne Garane, garanej@mailbox.sc.edu
The French Literature Series is published by BRILL | Rodopi. For communications concerning standing orders or back volumes, please check the series’ website at www.brill.com/fls
Naomi SCHOR: Lanson's Library. Jean-Jacques THOMAS: Les hommes de paroles. Lawrence VENUTI: The Scandal of Translation. Adam HILEVSKY: La jouissance d'un je-ne-sais-quoi textuel comme valeur dans Le Plaisir du texte de Roland Barthes. Michel VIEGNES: Combat pour les valeurs: humanisme et révolte chez René Char. Patrick MEADOWS: Francis Ponge: The Subversive Values of a Poetic Materialism. Steven WINSPUR: Discours indirect du malheur chez Marguerite Duras. Linda M. CLEMENTE: Reevaluating Sanity in Myriam Warner-Vieyra's Le quimboiseur l'avait dit ... and Juletane. Juliette M. ROGERS: Rewriting Feminine Values: Women's Education Novels at the Turn of the Century. Jean-Michel LANSKIN: Cocottes à la ville et colombes aux champs: dichotomie spatiale dans La Dame aux camélias et Nana, ou l'écologie de deux demi-mondaines. James F. HAMILTON: Framing Sand's La Mare au diable: A Case of Positive Patriarchy. Anca MITROI: La tentation de saint Antoine ou ceci n'est pas un monstre. Carol SHERMAN: Imagining Incest in Diderot's Le Fils naturel. Jean-Jacques TATIN-GOURIER: Transgression des normes, renonciation coupable et châtiment dans les réécritures théâtrales et romanesques du Mariage de Figaro avant 1789. Marie-FRANCE WAGNER: Le miroir sans tache dans l'Andromède de Pierre Corneille. Adriana BONTEA: Le style des Pensées comme raison des effets.