Neil Brooks and Teresa Hubel: Introduction
1 Peter Clandfield: “What Is In My Blood?”: Contemporary Black Scottishness and the work of Jackie Kay
2 Neluka Silva: “Everyone was Vaguely Related”: Hybridity and the Politics of Race in Sri Lankan Literary Discourses in English
3 Teresa Zackodnik: Passing Transgressions and Authentic Identity in Jessie Fauset’s
Plum Bun and Nella Larsen’s
Passing 4 Myriam Perregaux: Whiteness as Unstable Construction: Kate Pullinger’s
The Last Time I Saw Jane 5 Bella Adams: Becoming Chinese: Racial Ambiguity in Amy Tan's
The Joy Luck Club 6 Jennifer Sparrow: Strategic
Créolité. Caliban and Miranda after Empire
7 Jennifer Gibbs: White Identity and the New Ethic in Faulkner's
Light In August 8 Elizabeth DeLoughrey: White Fathers, Brown Daughters: the Frisbie Family Romance and the American Pacific
9 Rita Keresztesi Treat: Writing Culture and Performing Race in Mourning Dove's
Cogewea, The Half-Blood '(1927)
10 Kathryn Nicol: Visible Differences: Viewing Racial Identity in Toni Morrison's
Paradise and “Recitatif”
11 Yvette Tan: Looking Different/Rethinking Difference: Global Constants and/or Contradictory Characteristics in Yasmine Gooneratne's
A Change of Skies and. Adib Kalim's
Seasonal Adjustments 12 Margaret D. Stetz: Jessie Fauset’s Fiction: Reconsidering Race and Revising Aestheticism
13 Paul AlIatson: “I May Create A Monster”: Cherríe Moraga's Transcultural Conundrum
14 Michele Hunter: Revisiting the Third Space: Reading Danzy Senna's
Caucasia Notes on the Authors