Marvel and Artefact examines the three surviving manuscripts of
Wonders of the East (London, BL, Cotton Vitellius A. xv; London, BL, Cotton Tiberius B. v; and Oxford, Bodleian Library, Bodley 614). After outlining the learned tradition of writing on monsters and marvels and the family of texts of which the
Wonders of the East is part, A. J. Ford offers a forensic reading of each manuscript in which codex, text and image are studied together as a single artefact. By focussing on the materiality of manuscripts whose origin can only be hypothesized, this innovative and challenging work opens new vistas for the study and interpretation of medieval manuscripts and the cultures that produced them.
A. J. Ford, Ph.D. (2009), University of Manchester, is the Vicar of Holy Saviour, Sugley, in the Diocese of Newcastle.
List of Illustrations
List of Figures
Abbreviations
Acknowledgements
Chapter 1
'The Manifold uses of Things': The Early Medieval Book as Artefact
Chapter 2
The
Wonders of the East and the Learned Tradition of Marvels
Introduction
A Brief Overview of the Learned Tradition
The
Wonders of the East and the
Letter of Pharasmenes to Hadrian
Chapter 3
The
Wonders in a Manuscript of Unknown Origin:
London, British Library, Cotton Vitellius A. XV
Introduction
Illustration
Homodubii Cynocephali and
Donestre Other similarities
Conclusion
Palaeography
Anglo-Saxon Square Minuscule: Scribe 2
Style-I English Vernacular Minuscule: Scribe 1
The Significance of Distinct Scripts in Vitellius A. xv
Codicology
The Consensus Quires
The Contested Quires
The
Wonders in Vitellius A. xv: ‘Speaking Beyond the Light’
Chapter 4
The
Wonders and the
Computus Manuscript:
London, British Library, Cotton Tiberius B. V
Introduction
The Origin and Audience of Tiberius B. v
Reading Books and the Monastic Library The Materiality of Tiberius B. v
Page Design in Tiberius B. v
The
Wonders of the East The Calendar
Tiberius B. v: the Semiotics of the
Computus Manuscript
The
Wonders of the East as Semiotic
The Land of Vineyards and the Ivory Couch
The Mountain of Adamant and the Griffin
The Phoenix and its Nest of Cinnamon
The Unnamed Fiery Mountain and its Black Inhabitants
Jamnes and Mambres
Conclusion
Chapter 5
The
Wonders and the Schools:
Oxford, Bodleian Library, Bodley 614
Introduction
The Problem of Dating Bodley 614
Codicological Considerations
Art-Historical Considerations
Palaeographical Considerations
Textual Considerations
Summary
The Origin and Sources of Bodley 614
A Palaeographical Comparandum?
The Calendar
The Additions from William of Conches’s
De philosophia mundi De miraculis beati Thomae apostoli St Urri and the Folklore of Megalithic Monuments
Evidence Concerning
Opusculum de ratione spere Summary
The Social Relations of the ‘Twelfth-Century Renaissance’
Bodley 614 and the Practice of the Schools
Selection and Compilation
Self-Aware Commentary
An Illustrative Tradition
The Mythographic Mode
The Fighting Brothers
The Dancing Women
Conclusion
Chapter 6
The Materiality of Marvels
Appendix
Bibliography
All those interested in book history and manuscript culture, Anglo-Saxon manuscripts, palaeography, art history or codicology; the literature of the Anglo-Saxons; and the materiality of artefacts