Parody, Irony and Ideology in the Fiction of Ihara Saikaku

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The first monograph published in English on Ihara Saikaku’s fiction, David J. Gundry’s lucid, compelling study examines the tension reflected in key works by Edo-period Japan’s leading writer of ‘floating world’ literature between the official societal hierarchy dictated by the Tokugawa shogunate’s hereditary status-group system and the era’s de facto, fluid, wealth-based social hierarchy. The book’s nuanced, theoretically engaged explorations of Saikaku’s narratives’ uses of irony and parody demonstrate how these often function to undermine their own narrators' intermittent moralizing. Gundry also analyzes these texts’ depiction of the fleeting pleasures of love, sex, wealth and consumerism as Buddhistic object lessons in the illusory nature of phenomenal reality, the mastery of which leads to a sort of enlightenment.

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David J. Gundry, Ph.D. (2009), Stanford University, teaches Japanese Literature at the University of California, Davis. His publications include the articles “Samurai Lovers, ‘Samurai Beasts’: Warriors and Commoners in Ihara Saikaku’s Way of the Warrior Tales" ( Japanese Studies, Summer 2015) and "Hierarchy, Hubris, and Parody in Ihara Saikaku's Kōshoku ichidai otoko," Journal of Japanese Studies, 43:2 (2017).
Anyone interested in Japanese cultural history, the Tokugawa (Edo) Period, samurai, Comparative and Japanese Literature, parody, bourgeois fiction, Early Modern Studies, Buddhist Studies, or the history of sexuality.