Almost half a million books printed in the fifteenth century survive in collections worldwide. In
Incunabula in Transit Lotte Hellinga explores how and where they were first disseminated. Propelled by the novel need to market hundreds of books, early printers formed networks with colleagues, engaged agents and traded Latin books over long distances. They adapted presentation to suit the taste of distinct readerships, local and remote. Publishing in vernacular languages required typographical innovations, as the chapter on William Caxton’s Flanders enterprise demonstrates. Eighteenth-century collectors dislodged books from institutions where they had rested since the sales drives of early printers. Erudite and entertaining, Hellinga’s evidence-based approach, linked to historical context, deepens understanding of the trade in early printed books.
Lotte Hellinga, Litt.D. (1974, University of Amsterdam) was, until 1995, Deputy Keeper at the British Library, where she initiated the ISTC database and completed the BMC incunabula catalogue. She published extensively on book history, early typography, the book trade and textual transmission in incunabula. Her most recent book is
Texts in Transit (Brill, 2014).
Table of contents
Acknowledgments List of Figures Abbreviations
Book Auctions in the Fifteenth Century
Advertising and Selling Books in the Fifteenth Century
Nicolas Jenson, Peter Schoeffer and the Development of Printing Types
Peter Schoeffer: Publisher and Bookseller
The Mainz Catholicon 1460–1470: An Experiment in Book Production and the Book Trade
Fragments Found in Bindings: The Complexity of Evidence for the Earliest Dutch Typography
Prelates in Print
William Caxton, Colard Mansion and the Printer in Type 1
Wynkyn de Worde’s Native Land
Aesopus Moralisatus, Antwerp, 1488 in England
An Early Eighteenth-century Sale of Mainz Incunabula by the Frankfurt Dominicans in co-authorship with Margaret Nickson
A Caxton Tract-volume from Thomas Rawlinson’s Library in co-authorship with Margaret Nickson
Buying Incunabula in Venice and Milan: The Bibliotheca Smithiana
All interested in the history of the book and printing, in textual transmission in the early modern period, and in the history of typography. Also art historians focusing on book illumination.