Women, Rites, and Ritual Objects in Premodern Japan, edited by Karen M. Gerhart, is a multidisciplinary examination of rituals featuring women, in which significant attention is paid to objects produced for and utilized in these rites as a lens through which larger cultural concerns, such as gender politics, the female body, and the materiality of the ritual objects, are explored. The ten chapters encounter women, rites, and ritual objects in many new and interactive ways and constitute a pioneering attempt to combine ritual and gendered analysis with the study of objects.
Contributors include: Anna Andreeva, Monica Bethe, Patricia Fister, Sherry Fowler, Karen M. Gerhart, Hank Glassman, Naoko Gunji, Elizabeth Morrissey, Chari Pradel, Barbara Ruch, Elizabeth Self.
Karen M. Gerhart, Ph.D. (1992), is Professor of Japanese Art History at the University of Pittsburgh. She has published monographs and articles on Japan, including
The Eyes of Power: Art and Early Tokugawa Authority (1999) and
The Material Culture of Death in Medieval Japan (2009).
Table of contents
PrefaceBarbara RuchList of Figures and TablesList of Contributors IntroductionKaren M. Gerhart
Part 1 Rituals Related to the Household and Childbirth
Women and “Moving-House” Rituals in Mid-Heian JapanKaren M. Gerhart 2
Devising Esoteric Rituals for Women: Fertility and the Demon Mother in the Gushi nintai sanshō himitsu hōshūAnna Andreeva 3
Taira no Tokushi’s Birth of Emperor AntokuNaoko Gunji
Part 2 Women and Buddhist Rituals and Icons
A Female Deity as the Focus of a Buddhist Ritual: Kichijō Keka at HōryūjiChari Pradel 5
The Relic and the Jewel: An Eleventh-Century Miniature Bronze Pagoda to Hold the Bones of a Young QueenHank Glassman 6
Connecting Kannon to Women Through PrintSherry Fowler
Part 3 Buddhist Women and Death Memorials
Commemorating Life and Death: The Memorial Culture Surrounding the Rinzai Zen Nun Mugai NyodaiPatricia Fister 8
Of Surplices and Certificates: Tracing Mugai Nyodai’s KesaMonica Bethe
Part 4 Female Patronage, Portraits, and Rituals
Retired Empress and Buddhist Patron: Higashisanjō-in Donates a Set of Icon Curtains in the Illustrated Legends of Ishiyamadera HandscrollElizabeth Morrissey 10
Life After Death: The Intersection of Patron and Subject in the Portrait of Jōkō-inElizabeth Self Index
This collaborative study will appeal to a wide audience interested in Japanese Studies, and in the specific disciplines of art history, ritual studies, religious studies, material culture, and history.