At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched.
The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks.
The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history.
Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
Christine Göttler is Professor of Art History at the University of Bern. She has published extensively on diverse topics ranging from Reformation iconoclasm, post-Tridentine spirituality, and the relationship between art, nature, and the senses to aspects of early modern artists’ materials.
Mia M. Mochizuki is Associate Professor of Renaissance and Baroque Art History at NYU Abu Dhabi and the Institute of Fine Arts, New York University. Her publications have focused on iconoclasm in 17th-century Dutch art and globalisation in early Jesuit art.
Table of contents
Acknowledgments Notes on the Editors Notes on the Contributors List of Illustrations
Introduction: Connected Worlds—The World the Worldly and the Otherworldly: An Introduction Mia M. Mochizuki
Part 1: The World’s ‘Idols’
Extraordinary Things: ‘Idols from India‘ and the Visual Discernment of Space and Time, circa 1600’ Christine Göttler
Arabic Inscriptions in the Service of the Church: An Italian Textile Evoking an Early Christian Past? Denise-Marie Teece
Materiality and Idolatry: Roman Imaginations of Saint Rose of Lima Tristan Weddigen
Part 2: Parables of Contact
Ut Pictura Lex: Jan David, S.J., on Natural Law and the Global Reach of Christian Images Walter S. Melion
Translating the Sacred: The Peripatetic Print in the Florentine Codex, Mexico (1575–1577) Jeanette Favrot Peterson
The Value of Misinterpretation in Cultural Exchange: The Transfer of Christian Prints from the West to Japan Yoriko Kobayashi-Sato
Propagatio Imaginum: The Translated Images of Our Lady of Foy Ralph Dekoninck
Part 3: Material Alchemies
‘Mass’ Produced Devotional Paintings in the Andes: Mobility, Flexibility, Visual Habitus Evonne Levy
Gems of Sacred Kingship: Faceting Anglo-Mughal Relations around 1600 Christiane Hille
Cultured Materiality in Early Modern Art: Feather Mosaics in Sixteenth-Century Collections Margit Kern
Making Marvels—Faking Matter: Mediating Virtus between the Bezoar and Goa Stones and Their Containers Beate Fricke
Part 4: Relic Values
Naked Bones, Empty Caskets, and a Faceless Bust: Christian Relics and Reliquaries between Europe and Asia during Early Modern Globalisation Urte Krass
Virgin Skulls: The Travels of St. Ursula’s Companions in the New World Rose Marie San Juan
Relic or Icon? The Place and Function of Imperial Regalia Akira Akiyama
Relics Management: Building a Spiritual Empire in Asia (Sixteenth and Seventeenth Centuries) Ines G. Županov
Part 5: ‘Netted’ Works
The Seven Sorrows of the Virgin: Spreading a New Cult via Dynastic Networks Dagmar Eichberger
Early Modern Incense Boats: Commerce, Christianity, and Cultural Exchange Jeffrey L. Collins and Meredith Martin
Journeys, Real and Imaginary, in China and Europe: Cartography, Landscape, and Travel around 1600 James Clifton
Arrivals at Distant Lands: Artful Letters and Entangled Mobilities in the Indian Ocean Littoral Dipti Khera
All interested in early modern, global, and religious art history, and anyone concerned with contact objects, the Kunstkammer, and Reformation (Catholic and Protestant) studies.