On the Fringes of Literature and Digital Media Culture offers a polyphonic account of mutual interpenetrations of literature and new media. Shifting its focus from the personal to the communal and back again, the volume addresses such individual experiences as immersion and emotional reading, offers insights into collective processes of commercialisation and consumption of new media products and explores the experience and mechanisms of interactivity, convergence culture and participatory culture. Crucially, the volume also shows convincingly that, though without doubt global, digital culture and new media have their varied, specifically local facets and manifestations shaped by national contingencies. The interplay of the common subtext and local colour is discussed by the contributors from Eastern Europe and the Western world.
Contributors are: Justyna Fruzińska, Dirk de Geest, Maciej Jakubowiak, Michael Joyce, Kinga Kasperek, Barbara Kaszowska-Wandor, Aleksandra Małecka, Piotr Marecki, Łukasz Mirocha, Aleksandra Mochocka, Emilya Ohar, Mariusz Pisarski, Anna Ślósarz, Dawn Stobbart, Jean Webb, Indrė Žakevičienė, Agata Zarzycka.
Irena Barbara Kalla, PhD (2000), Habil (2014), teaches literature at the Department of Dutch Studies, University of Wrocław. She has published widely on Dutch and Flemish literature, including
Programy romantyzmu w Niderlandach (2007) and
Huisbeelden in de moderne Nederlandstalige poëzie (2012).
Patrycja Poniatowska, PhD (2000), taught at the Department of English Studies, University of Wrocław, and published on Dutch and English Renaissance literature. Currently, she is a book editor and translator (e.g. R. Shusterman,
Myślenie ciała/Thinking through the Body, 2016).
Dorota Michułka, PhD (1996), Habil (2014), Head of Methodology of Polish Literature and Language Teaching, University of Wrocław. She has published
Ad usum Delphini: Edukacja literacka (2013) and articles on children’s literature and culture education. She is Deputy Editor-in-Chief of
Table of contents
Introduction Barbara Kalla, Patrycja Poniatowska and Dorota Michułka
Part 1: From the Centre to the Fringes and Back Again
Two Ends and One Beginning: Notes on the Future of Writing in the Post-Medial Context Mariusz Pisarski 2
Digital Literature, Deinosis and Haptic Reading Barbara Kaszowska-Wandor 3
Edgar Allan Poe’s Adventures in Convergence Culture Agata Zarzycka 4
The Book and the Tablet as Media of Children’s Literature: A Ukrainian Case Emilia Ohar 5
Literary Experiments with Automatic Translation: A Case Study of a Creative Experiment Involving King Ubu and Google Translate Aleksandra Małecka and Piotr Marecki 6
Helping Ourselves Out of the Margins: Handbooks for Creative Writing as a Tool for Analyzing Literary Dynamics Dirk de Geest
Part 2: Games: Where Narratives (Do Not) Fear to Tread
The Witcher Adventure (Board) Game in The Witcher Transmedia Universe Aleksandra Mochocka 8
Playing the Future History of Humanity: Situating Fallout 3 as a Narratological Artefact Dawn Stobbart 9
Storytelling in the Age of Digital Media The Netwars – Out of Control Transmedia Project – A Case Study Łukasz Mirocha 10
The Pitfalls of Narration: Call of Juarez: Gunslinger Justyna Fruzińska
Part 3: The Literary, the Digital and Their Social (Dis)Contents
Alice and Paddington: Digital Migrants from Book to Film Jean Webb 12
Futures of Copyright: Literature as a Medium of Legal Change Maciej Jakubowiak 13
Consumers of Popular Culture or Demanding Dictators? The Lithuanian Case Indrė Žakevičienė 14
Product Placement Novels as a Literary Margin Anna Ślósarz 15
Book Blogosphere on the Polish Internet Kinga Kasperek 16
“Children of Our Age”: Digital Media and the Lie of Literature Michael Joyce
A readership interested in the culture of digital media, 21st-century popular literature, experimental literature, games, children’s culture and cultural change in Central Europe.