Transcultural Imaginations of the Sacred

Series: 

Although we tend to suggest that clear constructions of identity are granted to religious symbols under the assumption that they distinguish between self and other explicitly, perceptions of alterity in fact play a vital role in sacral forms of representation. Markers of foreignness are used in a semantics of the exceptional that characterizes the sacral. Perceptions of difference are thus capable of making visible the remoteness of sacral forms from the profane world of experience. This book, therefore, asks: What role do traits of alterity play in the sacral context? How are various concepts of the sacred synthesized in situations of transcultural translation, for instance in the context of missionary activity? How did an artifact arrive at sacral potency in various cultures, and under what conditions did semantic shifts occur?

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Foreword
Pages: 7–18
“Americana Thebaida”
A Glocal Topology
Pages: 35–57
The Tipping Point in Mimesis
Processes of Transcultural Negotiation in the Sculpture of the Paraquarian Jesuit Missions
Pages: 59–76
Cracks and Clefts
Dealing with the Pigments of Our Lady of Copacabana
Pages: 77–90
The Holy Man’s Cave
Franciscan Permeations of Time and Space, ca. 1300
Pages: 123–140
Charismatic Desert Saints
Charisms as Signifiers of the “Other” in Thebaid Cycles of the Italian Tre- and Quattrocento
Pages: 141–161
Borrowing Figurative Patterns
The Meaning of the “Dormition of the Hermit” in Fifteenth-Century Florentine Paintings
Pages: 163–180
Aesthetics of Resistance
The “Unbelievable” Idol, Its Life, and Its Dual Death
Pages: 181–196
Being like Jesus and Mary
The Jesuits, the Polyglot Bible and other Antwerp Print Works at the Mughal Court
By: Ebba Koch
Pages: 197–230
Seeing Beyond Form
Western Tableaux in Mughal Painting as Paradigms of the Emperor’s Perfect Vision
Pages: 231–255
Plates
Pages: 256–272
Index
Pages: 281–286
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