In this book, Mikhail Epstein offers a systematic theory of modalities (the actual, possible, and necessary), as applied to the discourse of philosophy in its post-Kantian and especially post-Derridean perspectives. He relies on his own experience of living in the USSR and the US, dominated respectively by imperative and possibilist modalities. Possibilism assumes that a thing or event acquires meaning only in the context of its multiple possibilities, inviting counterfactual and conditional modes of description. The author focuses on the creative potentials of possibilistic thinking and its heuristic value. The book demonstrates the range of modal approaches to society, culture, ethics, and language, and outlines potentiology as a new philosophical discipline interacting with ontology and epistemology.
Mikhail Epstein, Ph.D. (1990), Academy of Sciences, USSR; S.C.Dobbs Professor of Cultural Theory and Russian literature at Emory University (USA). He has published 35 books and hundreds of articles in philosophy and cultural and literary studies translated into 23 languages.
Preface
&emsp
Introduction: Fundamental Concepts of the Theory of the Possible 1 The Problem of Modalities in Contemporary Thought
2 A Preliminary Definition of the Modality of the Possible
3 The Ontological Status of Possible Worlds. Nominalism and Realism
4 The Principle of “Fullness” and the Problem of Realization of Possibilities
5 Duality and “Demonism” of the Possible
6 A Possibilistic Approach to the Possible
7 The Plan of the Book
Part 1: The Possible in Philosophy
1
Criticism and Activism 2
Philosophy and Reality 3
Change of Modalities in the History of Philosophy 4
Philosophy as Possibilistic Thinking 5
The Area of the Thinkable: the Value of Thinking in Itself 6
Theory, Utopia, and Hypothesis 7
Catharsis of Thinking 8
Personified Thinking 9
Possible and Impossible: Aporia of Thinking 10
Language, Thinking, and Signifiability 11
Universals as Potentials: Conceptualism 12
From the General to the Concrete and Universal 13
Multiplication of Entities 14
Philosophy as Parody and Grotesque
Part 2: The Fate of Metaphysics: from Deconstruction to Possibilization
Introduction to Part 2
Section 2.1: Reverse Metaphysics: Critique and Deconstruction
15
Beyond Being and Nothingness: the Feeling of the Possible 16
A World View, Not a Point of View: “A Net with No Knots” 17
The Possible in Jean Derrida 18
The Metaphysics of Deconstruction: the Main Terms 19
The Radical Nature of Difference: Profit and Transcendence 20
Center and Structure 21
Reverse Metaphysics: the Other, the Play, and the Writing 22
Différance and the Tao
Section 2.2: Construction and Possibilization
23
From Deconstruction to Construction 24
Construction and Creativity 25
De- and Con- 26
Potentiation as Method: Eros of Thinking 27
What is “The Interesting”? Proposed Criteria 28
Small Metaphysics: the Unique
Part 3: The Worlds of the Possible
Introduction to Part 3 29
Society 30
Culture 31
Ethics 32
Psychology 33
Religion Conclusion
Appendix
To be Able, to be, and to Know. A System of Modalities 1
Definitions of Modality A Typical Definitions
B The Specific Definition
2
Оntic Modalities (Modalities of Being) A “To Be” and “To Be Able” in the Ontological and Modal Perspectives
B Existence and Non-existence
C The Possible and the Contingent
D The Impossible and the Necessary
E Strong and Weak Modalities
F The General Scheme of Ontic Modalities
G Supermodalities: The Due and the Miraculous
3
Еpistemic Modalities (Modalities of Knowledge) 4
Pure (Potentialistic) Modalities A Active Voice (Capacity, Need)
B Passive Voice (Permission, Coercion)
C Second-order Modalities
(1)
Will and Power (2)
Desire and Love 5
The Final Tables of Modalities 6
Modal Categories in Various Disciplines A Be Able – Possess – Have Value. Modality in Economics
B Necessity and Immortality: Modality in Eschatology
7
Potentiology: Prospects for the New Discipline Index of Names Index of Subjects
All interested in the philosophy of possible worlds and the role of modal categories (actual, necessary, interesting, hypothetical) in shaping postmodern culture, critical theory, and the future of the humanities.