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The Visual in Performance Practice
This volume was first published by Inter-Disciplinary Press in 2011.
Papers from the first global conference of Performance: Visual Aspects of Performance Practice (2010) evoke the multi-role, collaborative sense of a jointly crafted production of new discoveries from theory, concept, and design to realization, reflection, and audience reception.
Papers from the first global conference of Performance: Visual Aspects of Performance Practice (2010) evoke the multi-role, collaborative sense of a jointly crafted production of new discoveries from theory, concept, and design to realization, reflection, and audience reception.
Adele Anderson is on faculty with the undergraduate Rochester Center and the Master of Arts in Liberal Studies program at Empire State College, State University of New York, US. She has studied arts and anthropology, with research interests in the rhetoric of images, mixed-ability and multi-age dance theatre, and community performance.
Filipa Malva is a PhD candidate at the University of Coimbra, Portugal. While she is interested in all aspects of scenography, currently her research and writing is devoted to scenography in the context of children’s and young audiences’ shows.
Chris Berchild is an associate professor in the Department of Theater, Indiana State University, US, where he teaches Theater History and Theory, Play Analysis, Directing, Dramaturgy, and Media Design and serves as head of the undergraduate dramaturgy concentration.
Filipa Malva is a PhD candidate at the University of Coimbra, Portugal. While she is interested in all aspects of scenography, currently her research and writing is devoted to scenography in the context of children’s and young audiences’ shows.
Chris Berchild is an associate professor in the Department of Theater, Indiana State University, US, where he teaches Theater History and Theory, Play Analysis, Directing, Dramaturgy, and Media Design and serves as head of the undergraduate dramaturgy concentration.