Emotions are at the core of much ancient literature, from Achilles’ heartfelt anger in Homer’s
Iliad to the pangs of love of Virgil’s Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyze ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature.
Mathieu de Bakker (Ph.D. 2007, University of Amsterdam) is University Lecturer of Ancient Greek at the University of Amsterdam. He publishes on the Greek historians and orators and is co-author of
The Cambridge Grammar of Classical Greek (Cambridge 2019).
Baukje van den Berg (Ph.D. 2016, University of Amsterdam) is currently Assistant Professor of Byzantine Studies at Central European University, Vienna. She has published on Byzantine scholarship and education and is completing a monograph on the
Commentary on the Iliad by Eustathios of Thessalonike for OUP.
Jacqueline Klooster (Ph.D. 2009, University of Amsterdam) is an Assistant Professor of Greek at the Rijksuniversiteit Groningen. She publishes on Hellenistic Poetry (
Poetry as Window and Mirror. Positioning the Poet in Hellenistic Poetry, Leiden / Boston 2011) and is co-editor of the
Hellenistica Groningana series.
Contributors are Suzanne Adema, Rutger Allan, Mathieu de Bakker, Silvio Bär, Baukje van den Berg, Anton Bierl, Gerard Boter, Angus Bowie, Pieter van den Broek, Marina Coray, Bruno Currie, Kristoffel Demoen, Koen De Temmerman, Evert van Emde Boas, Patrick Finglass, Margalit Finkelberg, Sofia Frade, Piet Gerbrandy, Lidewij van Gils, Annette Harder, Stephen Harrison, Mark Heerink, Jan Willem van Henten, Luuk Huitink, Casper de Jonge, Geralda Jurriaans-Helle, Ahuvia Kahane, Robert Kirstein, Jacqueline Klooster, Hugo Koning, Martha Krieter, Caroline Kroon, André Lardinois, Françoise Létoublon, Michael Lloyd, Sebastiaan van der Mije, Kathryn A. Morgan, Ilse Müllner, Willie van Peer, Christopher Pelling, Edwin Rabbie, Albert Rijksbaron, Tim Rood, Richard Rutherford, Antonis Tsakmakis, Berenice Verhelst, Gerry Wakker, and Tim Whitmarsh.
"The editors set themselves an ambitious undertaking: to provide further insights, in the form of an anthology, into the “vast and fascinating subject” of emotions. This volume does not only meet our expectations but goes well beyond them. Both editors and contributors have adopted a multifaceted approach, which makes it suitable both for experts and non-experts. (...) The papers in this book all contribute to the volume’s purpose: to honor De Jong’s career and enhance her studies. Although a lengthy read, more than 750 pages in total, the text runs smoothly; the wise chronological division adopted by the editors gently walks readers through centuries, without overwhelming them."
Giulia Maria Paoletti in
BMCR2023.07.04
Acknowledgements Notes on Contributors
Introduction: The Narratology of Emotions in Ancient Literature Mathieu de Bakker, Baukje van den Berg and Jacqueline Klooster
Part 1 Archaic Epic
1
A Narratology of the Emotions: Method, Temporality, and Anger in Homer’s Iliad Ahuvia Kahane
2
Narrative and Emotion in the Iliad: Andromache and Helen Angus Bowie
3
Fear and Loathing at the Xanthus Evert van Emde Boas
4
Metaleptic Apostrophe in Homer: Emotion and Immersion Rutger Allan
5
In Mortal Danger: The Emotions of Two Fighters in the Iliad Marina Coray and Martha Krieter
6
Poseidon’s Anger in the Odyssey Sebastiaan van der Mije
7
Emotions and Politeness in Homer’s Odyssey Robert Kirstein
8
Emotionally Reunited: Laertes and Odysseus in Odyssey 24 Bruno Currie
9
Love and Anger: Emotions in Hesiod Hugo Koning
Part 2 Archaic Epic and Beyond
10
The Text as Labyrinth Françoise Létoublon
11
Narrating Pity in Greek Epic, Lyric, Tragedy, and Beyond Patrick Finglass
12
Deixis in Teichoscopy as a Marker of Emotional Urgency Albert Rijksbaron
13
Exercises in Anger Management: From Achilles to Arginusae Christopher Pelling
14
Sunt lacrimae rerum: Emotions at the Deaths of Troilus, Priam, and Astyanax in Athenian Black-Figure Vase-Painting Geralda Jurriaans-Helle
15
What the Greeks Left Us: Perspectivation as a Tool in the Pursuit of (Emotional) Knowledge Willie van Peer
Part 3 Early Lyric, Tragedy, and Biblical Poetry
16
Passion versus Performance in Sappho Fragments 1 and 31 André Lardinois
17
Prometheus Bound as ‘Epic’ Tragedy and Its Narratology of Emotion Anton Bierl
18
Self-Description of Emotions in Ancient Greek Drama: A First Exploration Gerry Wakker
19
Retelling the War of Troy: Tragedy, Emotions, and Catharsis Sofia Frade
20
Body and Speech as the Site of Emotions in Biblical Narrative Ilse Müllner
Part 4 Greek Prose of the Classical Period
21
Herodotean Emotions: Some Aspects Richard Rutherford
22
Herodotus, Historian of Emotions Mathieu de Bakker
23
Emotions in Thucydides: Revisiting the Final Battle in Syracuse Harbour Tim Rood
24
The Dark Side of a Narrative: The Power of Emotions, Digressions and Historical Causes in Hellenica Oxyrhynchia Antonis Tsakmakis
25
Cyrus’ Tears: An Essay in Affective Narratology and Socratic History Luuk Huitink
26
The Joys and Sorrows of the Argument: Emotions and Emotional Involvement in Plato’s Narratives of Philosophical Reasoning Margalit Finkelberg
27
The Arousal of Interest in Plato’s Protagoras and Gorgias Michael Lloyd
28
Socratic Emotions Kathryn A. Morgan
Part 5 Hellenistic Literature
29
Heracles’ Emotions in Apollonius of Rhodes’ Argonautica Silvio Bär
30
Away with ‘Angry Young Men’! Intertextuality as a Narratological Tool in the Quarrel Episodes in the Argonautica of Apollonius Rhodius Annette Harder
31
Theocritus and the Poetics of Love Jacqueline Klooster
32
Characters, Emotions, and Enargeia in Second Maccabees Jan Willem van Henten
Part 6 Latin Literature
33
Common Ground and the Presentation of Emotions: Fright and Horror in Livy’s Historiography Lidewij van Gils and Caroline Kroon
34
Dramatic Narrative in Epic: Aeneas’ Eyewitness Account of the Fall of Troy in Virgil Aeneid 2 Stephen Harrison
35
Unhappy Dido, Queen of Carthage Suzanne Adema
36
Emotional Apostrophes in Silius Italicus’ Punica 6 Pieter van den Broek
37
Metalepsis on the Argo: Debating Hercules in Valerius Flaccus (Arg. 3.598–725) Mark Heerink
Part 7 Greek Prose of the Imperial Period
38
Emotion and the Sublime Casper de Jonge
39
The Role of Anger in Epictetus’ Philosophical Teaching Gerard Boter
40
Emotions and Narrativity in the Greek Romance Tim Whitmarsh
41
Another Tale of Anger, Honour, and Love: Achilles in Philostratus’ Heroicus Kristoffel Demoen
Part 8 Late Antiquity and Beyond
42
Claudian’s De raptu Proserpinae: Grief, Guilt, and Rage of a Bereaved Mother Piet Gerbrandy
43
A Desire (Not) to Die for: Narrating Emotions in Pseudo-Nilus’ Narrations Koen De Temmerman
44
From Myth to Image to Description: Emotions in the Ekphrasis Eikonos of Procopius of Gaza Berenice Verhelst
45
How to Write and Enjoy a Tale of Disaster: Eustathios of Thessalonike on Emotion and Style Baukje van den Berg
46
A Lawyer in Love: Hugo Grotius’ Erotopaegnia (1608) Edwin Rabbie
Publications of Irene de Jong (until 2021) Glossary Indices Tabula Gratulatoria
Students and specialists interested in ancient literature, narrative theory, literary history, comparative literature.