This exploration in the history of ideas examines the groundbreaking notion of the
embodied mind in its analysis by the French philosopher and politician Maine de Biran (1766–1824) and in its afterlife: consciousness is generated through frequent interaction between the
voluntary and the
spiritual. The conscious,
active self is constituted in its sovereign
autonomy, as free and undivided, by
an inner act of willful resistance, a physical effort towards its own body and the world. For the first time, a multidisciplinary group of senior and junior researchers from Japan, USA and Europe investigate origins and discursive cross-fertilization of this concept around 1800, an intermediary stage between 1870 and 1945, and its influence upon existentialism, phenomenology, and deconstructivism during the postwar-period and beyond, from 1943 to 2010.
Manfred Milz, Ph.D. in History of Art, Goethe University, Frankfurt/Main. He is a Senior Research Associate at the Institute of Media, Language and Culture at the University of Regensburg and long-term Visiting Associate Professor at the Faculty of Art, Design, and Architecture, University of Johannesburg. Milz is the author of
Samuel Beckett und Alberto Giacometti (Königshausen & Neumann 2006), guest-editor of
The European Legacy (2011):
Bergson and European Modernism Reconsidered, editor of
Facing Mental Landscapes (2011), editor of
Painting the Persian Book of Kings Today (millennium anniversary catalogue, Cambridge 2010), and the editor-in-chief of the Brill book series Transcultural Aesthetics, founded in 2021 by the IAA.
9789004515611
Acknowledgements List of Figures Notes on Contributors
Introduction
Part 1 Maine De Biran in His Time (Around) 1800
1
Maine de Biran: Gender, Sensibility, and the Dynamics of Self in Post-revolutionary France Sean Quinlan
2
Maine de Biran and Neurology Larry McGrath
3
On Sympathy and Attention: Maine de Biran, Reader of Adam Smith and Dugald Stewart Marco Piazza
4
Did Maine de Biran Refute David Hume? Warren Schmaus
5
Biran and Schelling: “Contact Points” for a Radical Phenomenology Marc Maesschalck
6
Schopenhauer and the Primal Will—A Radically Phenomenological Reading in Comparison with Maine de Biran Rolf Kühn
7
Quel œil peut se voir soi-même?: Character and Habit in Stendhal and Maine de Biran Alessandra Aloisi
Part 2 Intermediary Biranian Posterities (1870s–1945)
8
Jules Lachelier, Reader of Maine de Biran—Contention and Legacy Denise Vincenti
9
Maine de Biran, Alfred Fouillée, Jean-Marie Guyau, Henri Bergson: from Concentration to Expansion and Back Again Benjamin Jacques Bâcle
10
The French Kant (or Fichte)? Brunschvicg, Biran, and the missed Synchronism Pietro Terzi
11
Maurice Blondel’s Philosophical Debt to Maine de Biran Michael A. Conway
12
Power(s) of I, Myself: Louis Lavelle and Maine de Biran Anne Devarieux
13
The First Significant Season of Maine de Biran’s Reception in Italy between Neo-Kantianism and Spiritualistic Realism (1911–1939) Marco Piazza
14
Maine de Biran in Huxley’s Brave New World: Transcending the Utilitarian through a Spiritual Self Manfred Milz
15
Voluntary Movement as Reflection or Creation: Maine de Biran, Félix Ravaisson, and Nishida Kitarō Mika Imono
Part 3 Postwar Biran-Reception and Beyond: Existentialism; Phenomenology and Poststructuralism (1943–2010)
16
Paul Ricœur and Maurice Merleau-Ponty on the “Primitive Fact” of Subjectivity in Maine de Biran Eftichis Epirovolakis
17
The Docile Body: Paul Ricœur’s Critique of Biran’s “Primitive Fact” Scott Davidson
18
“L’Immanence: une vie… ” – Gilles Deleuze, Maine de Biran and the Transcendental Field Alessandra Aloisi
19
Sensing Resistance? On Jacques Derrida’s Reading of Maine de Biran Björn Thorsteinsson
20
(An) Unforgettable Maine de Biran? The Biranian Heresy of Michel Henry Anne Devarieux
21
The Deep Layer of Affectivity—Maine de Biran’s Influence on Marc Richir’s Phenomenological Project Luis Umbelino
Bibliography Index
All scholars, students and critics from the disciplines of philosophy, the medical humanities, psychology, physiology, the neurosciences, philosophy, comparative literature and cultural history.