Post-colonial Intertexts

Hierarchies of Modernism

Series: 

Using Kamel Daoud’s The Meursault Investigation and Juan Gabriel Vásquez’s The Secret History of Costaguana, this book asks you to serve as the jury on euro-modernism, specifically the canonical texts Camus’s The Stranger and Conrad’s Nostromo. The book reveals the extent to which euro-modernist aesthetics was culpable in rationalising colonialism.

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Geetha Ramanathan is Emeritus Professor of Comparative Literature which she taught at West Chester University, USA. Her most recent books on modernisms are Locating Gender in Modernism: The Female Outsider (2012), and The Female in German Modernisms: The Visual Turn (2019).
Acknowledgements

Introduction
 1 Intertext and Influence
 2 Women and Euro-Modernism

1 Gendered Historiography and Colonial Euro-Modernist Aesthetics
 1 Access to History
 2 Tropes in History and Narrative
 3 Whose History
 4 “Plot” and History
 5 Gender and History in the Novels
 6 Conclusion

2 Difference across Colonial/Post-Colonial Authorship

3 Euro-Modernist and Post-Colonial Masquerades
 1 The Detective Story
 2 Female Absence and Presence
 3 Male Absence and Presence
 4 The Post-Colonial Detective
 5 The Crime
 6 The Modernist Masquerade
 7 Woman and Genre
 8 Woman and Big History
 9 Doubles
 10 Colonial and Post-Colonial Romance

4 The Aesthetics and Literary Politics of Commodities

5 Geography and the Gendering of Place

Conclusion

Bibliography

Index
Students at the undergraduate and post-graduate level of twentieth century literature, scholars of modernisms and post-colonialism, students and scholars of feminist studies, academic libraries; researchers on intertextuality, professors and students of comparative literature, students at the undergraduate and post-graduate level studying interdisciplinary approaches, students and professors working on cross-cultural comparisons.
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