USD $176.00
Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 73 (2023)
Wetland: Shaping Environments in Netherlandish Art
Series:
What aspects of their environment do artists decide to depict? Are they critical of the way in which others treat the environments that surround them? This NKJ volume finds an answer to these questions by focusing on the Dutch environment between the fifteenth century and now, a wetland that humans constantly tried to shape and reshape according to their needs. Gathering essays by scholars of early modern and modern and contemporary art, Wetland discovers the past of future landscapes in art.
Joost Keizer is Vice Dean in the Faculty of Arts and Associate Professor in Art History at the University of Groningen. He has published on early modern European art, with an emphasis on artistic ecologies and the ethical dimensions of style.
Ann-Sophie Lehmann holds the chair of art history & material culture at the University of Groningen, where her research focuses on the history, theory, and ecology of materials and processes. She is editor-in-chief of the series Studies in Art and Materiality (Brill) and member of the editorial boards of Netherlands Yearbook for History of Art and Zeitschrift fur Kunstgeschichte. From 2020-2025 she leads the research project Curious Hands. Moving Making to the Core of Education.
Stephanie Porras is Professor of Art History and Chair of the Newcomb Art Department at Tulane University. Her research interests include print culture, migrant artists and mobile artworks, practices of copying and replication, and competing notions of the local and global in the visual and material culture of Northern Europe and the Spanish world, from the fifteenth to the seventeenth centuries.
Ann-Sophie Lehmann holds the chair of art history & material culture at the University of Groningen, where her research focuses on the history, theory, and ecology of materials and processes. She is editor-in-chief of the series Studies in Art and Materiality (Brill) and member of the editorial boards of Netherlands Yearbook for History of Art and Zeitschrift fur Kunstgeschichte. From 2020-2025 she leads the research project Curious Hands. Moving Making to the Core of Education.
Stephanie Porras is Professor of Art History and Chair of the Newcomb Art Department at Tulane University. Her research interests include print culture, migrant artists and mobile artworks, practices of copying and replication, and competing notions of the local and global in the visual and material culture of Northern Europe and the Spanish world, from the fifteenth to the seventeenth centuries.
Joost Keizer, Ann-Sophie Lehmann & Stephanie Porras
Wet land’s past futures
Oliver Kik
Mapping the wet land: The painter-cartographer in the Low Countries, 1480-1550
Rachel Kase
Shifting shores: Environment, cartography and artistic Invention in Jan Saenredam’s Beached whale near Beverwijk and Claes Jansz Visscher’s View of Egmond aan Zee
Maurice Sass
Without nature: Rubens’s wet landscapes. From oikeiosis to ecomimesis
Theresa Brauer
Zwaddern in oil paint. Jan van Goyen’s fluid landscapes
Yannis Hadjinicolaou
A raptor’s-eye view in the early modern Netherlands. Visuality, political landscape, and falconry
Anja Novak
Precarious ground: An experiential approach to Land art in Flevoland
Christopher Heuer
That area of terror: Robert Smithson’s lowlands
Anna Rosja Haveman
Co-created by the Wadden Sea: Artistic and environmentalist perspectives on Han Jansen’s Waddenprojects
Wet land’s past futures
Oliver Kik
Mapping the wet land: The painter-cartographer in the Low Countries, 1480-1550
Rachel Kase
Shifting shores: Environment, cartography and artistic Invention in Jan Saenredam’s Beached whale near Beverwijk and Claes Jansz Visscher’s View of Egmond aan Zee
Maurice Sass
Without nature: Rubens’s wet landscapes. From oikeiosis to ecomimesis
Theresa Brauer
Zwaddern in oil paint. Jan van Goyen’s fluid landscapes
Yannis Hadjinicolaou
A raptor’s-eye view in the early modern Netherlands. Visuality, political landscape, and falconry
Anja Novak
Precarious ground: An experiential approach to Land art in Flevoland
Christopher Heuer
That area of terror: Robert Smithson’s lowlands
Anna Rosja Haveman
Co-created by the Wadden Sea: Artistic and environmentalist perspectives on Han Jansen’s Waddenprojects
Students and scholars of European art; museum professionals.