Al-Maqāmāt al-luzūmīya by Abū l-Ṭāhir Muḥammad ibn Yūsuf al-Tamīmī al-Saraqusṭī, ibn al-Aštarkūwī (d. 538/1143)

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Although the Arabic maqāmah, a branch of the picaresque genre, was much cultivated in the Middle Ages, little is known about it aside from the works of al-Hamadhānī and al-ḥarīrī, its first two cultivators. This translation of the Maqāmāt al-luzūmīyah by the twelfth-century Andalusi
author al-Saraqustī makes available to Western scholars of narrative prose a hitherto little-known but important collection of Arabic maqāmāt.
The "Preliminary Study" places this specific collection in the context of the overall maqama genre, it further places that genre in the contexts both of Arabic and of world literature, exploring the differences between the picaresque genre and the modern novel. It discusses the meaning of the work, shows the way in which it is original within its genre, and
establishes its organic unity. Finally, it shows that late and post-classical Arabic literary works such as that of al-Saraqustī, which were composed during the so-called "period of decadence," are not decadent at all, contrary to the opinion prevalent among scholars in the field.

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Biographical Note
James T. Monroe, Ph.D. (1964) in Romance Languages and Literatures at Harvard University, is Professor of Arabic and Comparative Literature at the University of California, Berkeley. He has published numerous books and articles in the field of Arabic, among them, Islam and the Arabs in Spanish Scholarship (Sixteenth Century to the Present)(Brill, 1970).
Readership
Invented in the tenth century, the maqāma is an Arabic branch of the picaresque genre, and has been cultivated until the present. It is a major, if neglected genre of Arabic literature, of which translations and literary studies are rare. This volume makes available, in English, a little-known Andalusi masterpiece of that genre, and further discusses it in literary terms. Therefore, the work will be of interest to scholars of Arabic, Spanish and other literatures, to comparativists, literary historians, critics, and theoreticians.
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