Re-Imagining Abraham: A Re-Assessment of the Influence of Deuteronomism in Genesis Megan Warner revisits the tradition that Genesis was edited by editors sympathetic to the theology of the Deuteronomist. On the basis of close, contextual readings of the four passages most commonly attributed to (semi-)Deuteronomistic hands, Warner argues that editorial use of Deuteronomistic language and themes points not to a sympathy with Deuteronomistic theology but rather to a sustained project to review and even subvert that theology. Warner’s ‘re-imagining’ of Abraham demonstrates how Israel’s forebear was ‘re-imagined’ in the post-exilic context for the purpose of offering the returning exiles a way forward at a time when all the old certainties, and even continued relationship with Yahweh, seemed lost.
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The Book of Exodus: Composition, Reception, and Interpretation offers a wide-ranging treatment of the main aspects of Exodus. Its twenty-four essays fall under four main sections. The first section contains studies of a more general nature, including the history of Exodus in critical study, Exodus in literary and historical study, as well as the function of Exodus in the Pentateuch. The second section contains commentary on or interpretation of specific passages (or sections) of Exodus, as well as essays on its formation, genres, and themes. The third section contains essays on the textual history and reception of Exodus in Judaism and Christianity. The final section explores the theologies of the book of Exodus.