The Thousand and One Nights does not fall into a scholarly canon or into the category of popular literature. It takes its place within a middle literature that circulated widely in medieval times. The
Nights gradually entered world literature through the great novels of the day and through music, cinema and other art forms. Material inspired by the
Nights has continued to emerge from many different countries, periods, disciplines and languages, and the scope of the
Nights has continued to widen, making the collection a universal work from every point of view. The essays in this volume scrutinize the expanse of sources for this monumental work of Arabic literature and follow the trajectory of the
Nights’ texts, the creative, scholarly commentaries, artistic encounters and relations to science.
Contributors: Ibrahim Akel, Rasoul Aliakbari, Daniel Behar, Aboubakr Chraïbi, Anne E. Duggan, William Granara, Rafika Hammoudi, Dominique Jullien, Abdelfattah Kilito, Magdalena Kubarek, Michael James Lundell, Ulrich Marzolph, Adam Mestyan, Eyüp Özveren, Marina Paino, Daniela Potenza, Arafat Abdur Razzaque, Ahmed Saidy, Johannes Thomann and Ilaria Vitali.
Adab is a concept situated at the heart of Arabic and Islamic civilisation.
Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" (
al-tamaddun) soon became a
leitmotiv. A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of
adab has been in competition with the Salafist focus on mores (
akhlāq). Still, humanism, poetry, and transgression are constants in the history of
Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.
The Arab Thieves, Peter Webb critically explores the classic tales of pre-Islamic Arabian outlaws in Arabic Literature. A group of Arabian camel-rustlers became celebrated figures in Muslim memories of pre-Islam, and much poetry ascribed to them and stories about their escapades grew into an outlaw tradition cited across Arabic literature. The ninth/fifteenth-century Egyptian historian al-Maqrīzī arranged biographies of ten outlaws into a chapter on ‘Arab Thieves’ in his wide-ranging history of the world before Muhammad. This volume presents the first critical edition of al-Maqrīzī’s text with a fully annotated English translation, alongside a detailed study that interrogates the outlaw lore to uncover the ways in which Arabic writers constructed outlaw identities and how al-Maqrīzī used the tales to communicate his vision of pre-Islam. Via an exhaustive survey of early Arabic sources about the outlaws and comparative readings with outlaw traditions in other world literatures, The Arab Thieves reveals how Arabic literature crafted lurid narratives about criminality and employed them to tell ancient Arab history.
The Turkish Novel and the Quest for Rationality is the first book to contextualize the Turkish novel with regard to the intellectual developments motivating the Turkish modernization project since the 18th century. The book provides a dialectical narrative for the emergence and development of the Turkish novel in order to highlight the genre’s critical role within the modernization project. In doing so, it also delineates the changing forms the novel assumes in the Turkish context from a platform for new literature to a manifestation of crisis in the face of totalizing rationality. Vis-a-vis modernization's engagement with rationality,
The Turkish Novel and the Quest for Rationality reveals unexplored ways of conceptualizing the development of the genre in non-western contexts.
The present volume consists of translated anecdotes, on musicological and socio-cultural topics, from al-Iṣbahānī’s
Kitāb al-Aghānī al-Kabīr (
The Grand Book of Songs) with annotations and commentaries. It deals with musical rhythmic and melodic modes, technical terms and treatises; music instruments; composition techniques and processes; education and oral/written transmissions; vocal and instrumental performances and their aesthetics; solo and ensemble music; change and its inevitability; musical and textual improvisations;
ṭarab and the acute emotions of joy or grief; medieval dances; social status. Though extracts from
The Grand Book of Songs have been translated in European languages since 1816, this work presents a much larger and more comprehensive scope that will benefit musicologists, medievalist and Middle Eastern scholars as well as the general reader.
Arab-Jewish Literature: The Birth and Demise of the Arabic Short Story, Reuven Snir offers an account of the emergence of the art of the Arabic short story among the Arabized Jews during the 1920s, especially in Iraq and Egypt, its development in the next two decades, until the emigration to Israel after 1948, and the efforts to continue the literary writing in Israeli society, the shift to Hebrew, and its current demise. The stories discussed in the book reflect the various stages of the development of Arab-Jewish identity during the twentieth century and are studied in the relevant updated theoretical and literary contexts. An anthology of sixteen translated stories is also included as an appendix to the book.
"Highly recommended for academic libraries collecting in the areas of Arab-Jewish cultural history, diaspora and exile studies, and literary identity formations."
Dr. Yaffa Weisman, Los Angeles,
Association of Jewish Libraries News and Reviews 1.2 (2019)
The present English translation reproduces the original German of Carl Brockelmann’s
Geschichte der Arabischen Litteratur (GAL) as accurately as possible. In the interest of user-friendliness the following emendations have been made in the translation: Personal names are written out in full, except
ibn; Brockelmann’s transliteration of Arabic has been adapted to comply with modern standards for English-language publications; modern English equivalents are given for place names, e.g. Damascus, Cairo, Jerusalem, etc.; several erroneous dates have been corrected, and the page references to the two German editions have been retained in the margin, except in the Supplement volumes, where new references to the first two English volumes have been inserted. Supplement volume SIII-ii offers the thee Indices (authors, titles, and Western editors/publishers).
Four years after the publication of the
Corpus of Soqotri Oral Literature, volume I (Brill, 2014), this volume present the second installment of the Corpus. Inspired by D.H. Müller’s pioneering studies of the 1900s, the authors publish a large body of folklore and ethnographic texts in Soqotri. The language is spoken by more than 100,000 people inhabiting the island Soqotra (Gulf of Aden, Yemen). Soqotri is among the most archaic Semitic languages spoken today, whereas the oral literature of the islanders is a mine of original motifs and plots. Texts appear in transcription, English and Arabic translations, and the Arabic-based native script. Philological annotations deal with grammatical, lexical and literary features, as well as realia. The Glossary accumulates all words attested in the volume. The Plates provide a glimpse into the fascinating landscapes of the island and the traditional lifestyle of its inhabitants.
Poet of Jordan, William Tamplin presents two decades’ worth of the political poetry of Muhammad Fanatil al-Hajaya, a Bedouin poet from Jordan and a public figure whose voice channels a popular strain of popular Arab political thought. Tamplin’s footnoted translations are supplemented with a biography, interviews, and pictures in order to contextualize the man behind the poetry.
The aesthetics and politics of vernacular Arabic poetry have long gone undervalued. By offering a close study of the life and work of Hajaya, Tamplin demonstrates the impact that one poet’s voice can have on the people and leaders of the contemporary Middle East.
It is gradually being acknowledged that the Arabic story-collection
Thousand and One Nights has had a major influence on European and world literature. This study analyses the influence of
Thousand and One Nights, as an intertextual model, on 20th-century prose from all over the world. Works of approximately forty authors are examined: those who were crucial to the development of the main currents in 20th-century fiction, such as modernism, magical realism and post-modernism. The book contains six thematic sections divided into chapters discussing two or three authors/works, each from a narratological perspective and supplemented by references to the cultural and literary context. It is shown how
Thousand and One Nights became deeply rooted in modern world literature especially in phases of renewal and experiment.