This volume contains the most comprehensive collection of scholarly sources on Indian poetics and aesthetics (the Alaṃkāraśāstra ever published in ancient India. Entries are divided into three sections and a detailed index is provided. Reference to primary sources from several languages range from about the 5th to the 19th centuries. Secondary sources in two dozen languages are divided into two sections, viz., books and articles. These begin in the mid-19th century and continue to the present. Annotations are usually brief and descriptive.
Index of South and Southeast Asian Art and Archaeology
The ABIA Online bibliography (South and Southeast Asian Art and Archaeology Index) helps scholars and students trace publications on the art and architecture, archaeology, inscriptions, coins and crafts of South and Southeast Asia. Its coverage includes the shared cultural heritage of Buddhism, Hinduism and Islam. It also brings out the bonds between South and Southeast Asia in societal traditions and ceremonies, as evident in inscriptions, trade and craft specializations, right from the prehistoric past up to the present. ABIA’s geographic and topical reach is wide. Its coverage ranges from excavations at the early cities of the Indus Valley in Pakistan to the sculptural richness of Angkor’s temples in Cambodia; from Buddhist manuscript art in Nepal and Tibet to contemporary painting in Bali; from textiles woven for early kings of Thailand to present day fashion in the booming cities of India. Timewise, ABIA’s coverage spans from the time when human activity becomes archaeologically manifest, to modern times. Specialist bibliographers have compiled some 55,000 records since 1928. Many of these carry annotations that concisely explain their contents. All records come with field-specific keywords. Recent records often offer direct links through DOI or http addresses to the articles. The ABIA Online is updated on a quarterly basis to keep up with new academic publications. The database is a long-term recipient of support by the Jan Gonda Fonds of the Royal Netherlands Academy of Arts and Sciences.