For hundreds of years, disputes on the origin of the Septuagint, a biblical text that was translated from Hebrew into Greek in the third century BCE, and the number of its translators have been ongoing. In
Multiple Authorship of the Septuagint Pentateuch, Hayeon Kim provides a clear solution to the unsolved questions, using an objective and consistent set of translation-technique criteria, and traditional and computerized tools of analysis. According to the author, the translation of the Septuagint Pentateuch has two facets: homogeneity and heterogeneity. The common socio-religious milieu of the translators is apparent in the similar translation techniques, however, the individual characters of the five translators are also evident in their distinct translation styles.
Unlike contemporary literary-linguistic configurations of genre, current methodologies for the study of the Gospel genre are designed
only to target genre similarities not genre differences. This basic oversight results in the convoluted discussion we witness in Lukan genre study today. Each recent treatment of the genre of Luke-Acts represents a distinct effort to draw parallels between Luke-Acts and a specific (or multiple) literary tradition(s). These studies all underestimate the role of
literary divergence in genre analysis, leveraging much—if not, all—of their case on
literary proximity. This monograph will show how attention to literary divergence from a number of angles may bring resolution to the increasingly complex discussions of the genre(s) of Luke-Acts.