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Mapping German Cities in Sebastian Münster’s 'Cosmographia'
In Networked Nation: Mapping German Cities in Sebastian Münster’s 'Cosmographia', Jasper van Putten examines the groundbreaking woodcut city views in the German humanist Sebastian Münster’s Cosmographia. This description of the world, published in Basel from 1544 to 1628, glorified the Holy Roman Empire of the German Nation and engendered the city book genre. Van Putten argues that Münster’s network of city view makers and contributors—from German princes and artists to Swiss woodcutters, draftsmen, and printers—expressed their local and national cultural identities in the views. The Cosmographia, and the city books it inspired, offer insights into the development of German and Swiss identity from 1550 to Switzerland’s independence from the empire in 1648.
In: Apocalyptic Cartography
In: Apocalyptic Cartography
In: Apocalyptic Cartography
In: Apocalyptic Cartography
In: Apocalyptic Cartography
In: Apocalyptic Cartography
Thematic Maps and the End of the World in a Fifteenth-Century Manuscript
Authors: Chet Van Duzer and Ilya Dines
In Apocalyptic Cartography: Thematic Maps and the End of the World in a Fifteenth-Century Manuscript, Chet Van Duzer and Ilya Dines analyse Huntington Library HM 83, an unstudied manuscript produced in Lübeck, Germany. The manuscript contains a rich collection of world maps produced by an anonymous but strikingly original cartographer. These include one of the earliest programs of thematic maps, and a remarkable series of maps that illustrate the transformations that the world was supposed to undergo during the Apocalypse. The authors supply detailed discussion of the maps and transcriptions and translations of the Latin texts that explain the maps. Copies of the maps in a fifteenth-century manuscript in Wolfenbüttel prove that this unusual work did circulate.

A brief article about this book on the website of National Geographic can be found here.
In: Apocalyptic Cartography
In: Apocalyptic Cartography