The 31 selected and revised articles in the volume
Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together.
One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239–241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop.
The essays in the volume
Consecration Rituals in South Asia address the ritual procedures that accompany the installation of temple images in Shaiva, Vaishnava, Buddhist and Jain contexts, in various traditions and historical periods. Through the performance of complex rites designated with the term
pranapratishtha (establishment of, or infusion with, life), man-made sculptures are ritually transformed into (receptacles of) deities. The collection is thematically and methodically broad, with a large number of detailed textual studies, but also with ethnographic contributions that discuss contemporary instances of consecration rituals. Among the overarching themes are issues related to historical continuity and change, as well as transformational moments in such rituals.
Contributors are: Marie-Luce Barazer-Billoret, Marzenna Czerniak-Drożdżowicz, Ronald M. Davidson, Shingo Einoo, Marko Geslani, Dominic Goodall, Ellen Gough, István Keul, Elisabeth Raddock, S.A.S Sarma, Anna A. Ślączka, Annette Wilke.
This is the first study to systematically confront the question how Brahmanism, which was geographically limited and under threat during the final centuries BCE, transformed itself and spread all over South and Southeast Asia. Brahmanism spread over this vast area without the support of an empire, without the help of conquering armies, and without the intermediary of religious missionaries. This phenomenon has no parallel in world history, yet shaped a major portion of the surface of the earth for a number of centuries. This book focuses on the formative period of this phenomenon, roughly between Alexander and the Guptas.
Culture and Circulation reflects an innovative approach to early modern Indian literature. The authors foreground the complex hybridity of literary genres and social milieus, capturing elements that have eluded traditional literary history. In this book, jointly edited by Thomas de Bruijn and Allison Busch, Hindi authors rub shoulders with their Persian counterparts in the courts of Mughal India; the fame of Mirabai, a poetess from Rajasthan, travels to Punjab; the sayings of Kabir are found to be as difficult to pin down as the holy men who transmitted them. Drawing on new archives in several Indian languages,
Culture and Circulation presents fresh ideas that will be of interest to scholars of Indian literature, religious studies, and early modern history.
Contributors include Stefano Pellò,Thibaut d'Hubert,Corinne Lefèvre, John Stratton Hawley, Gurinder Singh Mann, Thomas de Bruijn, Catharina Kiehnle, Allison Busch, Francesca Orsini, Heidi Pauwels, Robert van de Walle.
Skandapurāṇa IIb presents a critical edition of Adhyāyas 31-52 from the
Skandapurāṇa, with an introduction and English synopsis. The text edited in this volume includes central myths of early Śaivism, such as the destruction of Dakṣa's sacrifice and Śiva acquiring the bull for his vehicle. Also included is an extensive description of the thirteen hells (Naraka).
The World of the Skandapurāṇa explores the historical, religious and literary environment that gave rise to the composition and spread of this early Purana text devoted to Siva. It is argued that the text originated in circles of Pasupata ascetics and laymen, probably in Benares, in the second half of the 6th and first half of he 7th centuries. The book describes the political developments in Northern India after the fall of the Gupta Empire until the successor states which arose after the death of king Harsavardhana of Kanauj in the second half of the 7th century. The work consists of two parts. In the first part the historical environment in which this Purāṇa was composed is described. The second part explores six localities in Northern India that play a prominent role in the text. It is richly illustrated and contains a detailed bibliography and index.
Skandapurāṇa III presents a critical edition of the Vindhyavāsinī Cycle (Adhyāyas 34.1-61, 53-69) from the
Skandapurāṇa , with an introduction and annotated English synopsis. The text edited in this volume provides the oldest full account of the myth of the goddess of the Vindhya mountains; it is one of the main sources of the
Devīmāhātmya, the most famous scripture of the goddess worship in India, and as such indispensable for the study of the history of goddess worship. The introduction contains an examination into the relationship of the manuscripts and the date of the
The work is currently only available in print as an exact reprint done in a smaller book size (15.5 x 23.5 cm) than the first printrun.
Morphology and Syntax of Old Hindī scholars and students of medieval Hindī literature acquire an essential tool for learning one of its important but difficult dialects, the so called sadhukkarī bhāshā. Based on an early Rājasthānī manuscript, the volume includes a commented edition of one hundred poems attributed to medieval mystic and thinker Kabīr, followed by a detailed treatment of morphological structure and main syntactic features of the language. The exposition is accompanied by numerous textual examples and index of all lexical and grammatical morphs.
The book can be used as a descriptive grammar of the dialect in question, an aid to the study of historical development of New Indo-Aryan languages, and a reader for use in university courses.