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The present edited volume offers a collection of new concepts and approaches to the study of mobility in pre-modern Islamic societies. It includes nine remarkable case studies from different parts of the Islamic world that examine the professional mobility within the literati and, especially, the social-cum-cultural group of Muslim scholars ( ʿulamāʾ) between the eighth and the eighteenth centuries. Based on individual case studies and quantitative mining of biographical dictionaries and other primary sources from Islamic Iberia, North and West Africa, Umayyad Damascus and the Hejaz, Abbasid Baghdad, Ayyubid and Mamluk Syria and Egypt, various parts of the Seljuq Empire, and Hotakid Iran, this edited volume presents professional mobility as a defining characteristic of pre-modern Islamic societies.

Contributors
Mehmetcan Akpinar, Amal Belkamel, Mehdi Berriah, Nadia Maria El Cheikh, Adday Hernández López, Konrad Hirschler, Mohamad El-Merheb, Marta G. Novo, M. A. H. Parsa, M. Syifa A. Widigdo.
Editors: Ebru Boyar and Kate Fleet
Centred on the socio-economic life of Ottoman Anatolia, this volume examines aspects of production, local and international trade, consumption and the role of the state, both at a local and a central level. Based on a wide array of data and adopting a variety of approaches, chapters range from the macro to the micro, from the overview of Anatolian economic resources to the in-depth examination of the petition language of provincial economic actors. Making a Living in Ottoman Anatolia thus offers the reader an entrée into the rich and varied socio-economic life of a central region of the Ottoman empire.

Contributors are Marc Aymes, Ebru Boyar, Metin Coşgel, Suraiya Faroqhi, Kate Fleet, Elena Frangakis-Syrett, Yonca Köksal, Mehmet Öz, Mehmet Polatel and Sadullah Yıldırım.
Photography, Modernity and the Biblical Lens, 1918–1948
Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918–1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period.

While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography.


" Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film
" Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem
" Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi